I haven't read the article yet but I can tell you what happened. First, some years ago I was disturbed by Keyboard's review of the Yamaha 9000 Pro - they gave it to a girl who worked solely in a commercial recording studio for review, and predictably her lukewarm review came down to "what do you need this for in a recording studio?". I complained that it should have been reviewed by a solo performer and preferably in actual live use, but my advice was ignored. Then Stephen Fortner, who is a very thoughtful writer as well as a contributor to the Keyboard magazine online forums (and now technical editor for Keyboard), did a review of the Roland G70 last year where he tried it out by using it with his band which virtually skipped over the arranger features. I publicly gave Keyboard Magazine a kick in the pants for that and pretty much let it be known that Keyboard on the whole was treating arranger keyboards unfairly. Stephen also did the Keyboard review of the Yamaha PSR3000, which was done better, but he agreed that arrangers overall were not being given their due by the magazine and promised that he would review the Tyros 2 by actually using it as a solo performer. He asked me for advice on features and use and it seems he found some of my tips helpful. I like Stephen Fortner and believe that his recent promotion will help guide Keyboard Magazine to a broader perspective.