Hi, Diki. All of my work is propritetary. Final products are owned by the client, but I do have one rough I have permission to share. It was presented as I have it, then produced traditionally, with a real B-3, grand piano, horns, guitars, etc., with the finest musicians in this part of the country. I've been asked why I didn't use the rough, since, after a voice-over, no one could tell the difference, I could. Nigel, Tony Mads and Rory have heard it. I'll find it and send it sometime between now and the end of the year.

You are right on with your advice for people who need good, presentable recordings. I'd like to get more involved in that end of the work when I "semi-retire". The rough I will send you was done on a Korg 4-track...Alesis drum machine and whatever keyboards were laying around. My son works for me and is the techno guy as far as video editing, recording, computer networks, graphics, research aand database management etc. go. I'm the creative one, and leave the real work to him to manage.

I have a good relationship with this client, so I'll ask if this one piece can be posted. He has said that I can share copies, but I haven't addressed putting it on the internet. I'd like to, since several people have asked to hear samples of this boring but very profitable kind of work. It's a little boring, because the pieces are written to images, louped and the lead lines can't be so busy as to get in the way of the voice-over.

Thanks for the interest.


Russ