Originally posted by The Insider:
Lee - just checked out your website and all I can say is Wow! Who would not want a set of friends like that!
To be fair, yes the demos were played on the product (it's the only way that the SA voices respond correctly) and recorded onto my laptop for manipulation of the setup bar
,Volume pan reverb send etc. The Nylon had 3 passes and I changed the velocity of 3 notes on the pass that ended in the product. The Sax I moved 2 notes and added 2(Demisemiquavers just before the high F) as I didn't think about playing those notes as I played them but felt that they just added a touch more realism for the climax, forgive me.
As far as my playing is concerned
http://www.amazon.co.uk/s?ie=UTF8&search-type=ss&index=music&field-artist=Papri ka%20Soul&page=1
I played the Theme tune to the last prodction run of "Top of the Pops", I was the Deputy and Musical Director of "Blood Brothers" form 1988-1991 and arranged much of the underscore, I have been Musical Director of Joseph, Jesus Christ Superstar, A Tribute to the Blues Brothers, deputised keyboards on Damn Yankees (with Jerry Lewis in the West End), arranged and designed the (to my knowledge) first Musical rum live by sequencer (Great Expectations, Theatr Clwyd 1994)and written over 120 commercials for my friend Tony Gibber who won a D&DA Gold Award for Best Music in and advert (1991/2 I think). I also remixed Mark Morrison's Horny as part of Mindspell, Dina Carroll (Run To You) Lighthouse Family (Ocean Drive) Shola Ama (You're the One I Want) Martin Okasili (Freedom) Foxy Brown feat. Jay-Z (I'll Be) amongst others.
If you want more info checkout
www.esession.com/andyspiller
Peace
AndyAndy,
It's good to hear you actually played the tracks from the Tyros keyboard but they were still recorded and edited in Cubase. My beef with the recording method is that most manufacturers never tell the consumer that the demos weren't actually done on the keyboard they are touting.
Roland was notorious for having highly polished demo's that were done in World Class studios with world class musicians utilizing tons of outboard gear. When Eric Persing was doing demos for Roland all the music was mixed on a custom modified Trident console using Roland outboard gear, Eventides, AMS's, EMT plates, and various other high end gear. The demos sounded awesome as they should.
Please don't think I was questioning your playing ability or skills, that wasn't even a question and your resume is impressive to say the least. As I said, you're hired to do a job and whatever means you employ to finish that job is up to you. My complaint is that Yamaha (and other manufacturers) would have the consumer believe that the demo maker played and recorded the demo on the actual instrument which is most often not the case. Some of the demo's were done with rack mount sound modules that employed the Tyros 2 soundset. It's not rare for the demos to be recorded this way since the actual product is most often nowhere near production level when the demos are made.
While you are the exception I know that many of Yamaha's demos were recorded using MIDI based instruments that were played into Cubase via live musicians. Sometimes the only way to mimic a instrument is to actually trigger and play a sample with the real instrument.