Quote:
Originally posted by Diki:
I guess I'm more of the 'I want flat!' school of mixing. Sure, I've used NS-10's in the studio, but those were primarily to reveal flaws, and have a studio to studio transportability of mixes thing. I have to confess that, when I'm noodling at home, I don't want to have to 'imagine' what it would sound like on a full system, I just want to hear it that way!

But thanks for pointing out the powered sub... That probably goes a long way to rectifying the Monitor One's abysmal bass response!

My 824's are the ultimate arranger accessory! And still 1/3 the cost of the arranger.

BTW, does your wife run a mono Bose system, or does she go stereo for the piano? Perhaps she prefers the Roland's because they collapse to mono a bit more graciously than Yamaha do?


I can certainly understand wanting to hear as accurate mix as possible. I just don't know what that is. SO I have to depend on reference recordings generated in a real studio using top notch gear. Between the Bose 701s in our Surround System, the car units and various boom boxes we can get a good balanced sound.

My wife uses a single Bose system. She (and I ) feel the clarity and convenience of the system more than makes up for thr lack of Stereo spread.

As far as the Roland Digitals she has always preferred the RD700 and the previous incarnation over the Yamaha. (AFTER she sold her CP70 the Rolands were not only much lighter but she likes the Piano sound and is and has become a reference against which all others are judged. The stereo collapse is not a factor. All sound generators have mono outs now which does not adversely affect the stereo phasing issues.
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Yamaha Tyros 4
Yamaha Motif XS8
Roland RD700
Casio PX-330
Martin DC Aura
Breedlove ATlas Solo
Bose MOD II PA