Actually I change the chords around a lot, usually in the last verse, and sometimes even in the second chorus, and I find it works best for the standards.

It is nice to have the choice depending on my mood, and arranger mode works best for me.

I have my own way of getting around the lack of (or demise of) the chord sequencer and still keep myself in my preferred arranger mode...I use a pedal for pitch bending...not for everyone I suppose, but neither are SMF.

Some people get proficient at using SMF, using markers etc for getting the most out of a performance...I chose developing my skills in arranger mode and getting adept with using the pedal and also creating/assembling my own unique styles so I don't sound like the next guy with a PSR-S900 or Tyros...it's just my way.

I've even made a style that allows you to play with no fixed tempo...best for slow orchestral pieces, but again, it gives me more scope whilst using my favoured arranger mode.

It doesn't make it any more "right" than using SMF but is right for me, and that's who I have to please.

BTW, I listened to your Joe Zawinul 'A Remark You Made' again...he was a favorite of mine too and truly one of his best ballads...very nicely done, I must say...you are a fine player.

Ian