I�m not sure what kind of comments you were seeking but here goes�..

I mostly listened to Paris Skies which I�m more familiar with. The playing/interpretation is nice, fluffy, breezy, light...but�.a little too light...laid back. I can see you have potential to do something more with this song (ref: your finger work on the release). Why are you not doing more with the melody?

I would guess from the names you mentioned that you�re in England where you would hear many other musette players. And many who have played this song with improvisation.

But....I think you wanted comments on the instrumentation.

While listening I was thinking there is not much expression in the playing. Then I remembered you said you had your MIDI accordion connected to a Tyros, so that explains the lack of dynamics (is that correct?). Ironically, at the same time I was thinking what a pretty sound you had there and was going to ask you the accordion you were using. I�m not a big Tyros fan but I think they produced an extraordinary Musette sound (and that was the 1st Tyros...Ketron also puts out a nice patch).

I�ve played Musette on the Tyros and had a great time doing it. I would near enough buy it just for that sound.

All in all, I think you did a good job on the two tunes considering the lack of dynamics that were available in your Tyros setup (no bellows).

P.S. I�m partial towards this type of music as I�m a seasoned Musette player (living in a place where �no one cares� ...very frustrating!). Still I love the sound.

MC