Zuki, interesting observation but one that we've all had. But here's the thing; it's usually their out-of-this-world technical ability (playing proficiency) that makes us feel so completely inadequate, BUT, it really shouldn't. Technical proficiency only provides a means of expressing what is REALLY important; that's the ability to communicate, musically, from one soul to another; the ability to stir deep emotions in yourself and others. If you have nothing to say, if you're an empty vessel, then all the technique in the world isn't going to mean much more than being able to dazzle someone at a house party. Just worry about what YOU have to offer and don't worry about how fast that other guy can make his fingers move. If I didn't believe that, after watching say, a Hiromi performance, I'd never go near a keyboard again . In fact, after watching a 13 yr. old Joey Alexander, I almost DID give it up .

It would be nice if everyone had the same degree of playing ability; then it would just be a matter of who had the most musical soul. Look, if you can play a blues and create a dark mood, or 'Sweet Caroline' and get everyone singing, or 'Anniversary Waltz' and get a loving elderly couple up on the dance floor, then you've done your job as a musician. DON'T WORRY, BE HAPPY.

chas