Sorry Gary, but if a venue wants to hire me, I ask them what they want. And if they want a bunch of crap I can’t stand, I turn down the gig. Simple as that.
And most venues hire me because they ALREADY know what I do, or someone recommends me to them. And he knows what I do.
Push comes to shove and nowhere likes what I do, there’s always stocking shelves..! Pays about as good as playing LOL 😆
But I’m pretty comfortable in most genres, and can find a decent amount of contemporary stuff that isn’t awful to flesh out my older repertoire, and even that is mostly a bit of 60’s (Beatles, Stones, Kinks, stuff like that) a ton of 70’s, and 80’s. Given the age of most customers of decent restaurants etc, that’s pretty much what they grew up with. 30’s-50’s is starting to die out (literally!) and it’s tough to find an audience that will toe tap to Sinatra after you just played some John Mayer or Ben Harper…
My area is not very highbrow! But while they might not be that enthused about Broadway musicals or bebop, they’re pretty happy going from 80’s synth pop to hardcore reggae to zydeco to yacht rock. And that’s plenty enough variety to keep ME happy!
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An arranger is just a tool. What matters is what you build with it..!