In defense of Wersi, it’s only that that ‘sound’ is rather expected if Wersi players that you hear it a lot. You can run a TOTL B3 VSTi in OAX and you’d be back in Hammond heaven..!

The organ scene in Europe (I was around it in the 70’s) is something that never made it big in the States, and that sound is part of it. But the organ itself is a blank slate you can flesh out with anything you like. Sadly, a five figure blank slate! And a back breaking weight thrown in for free!

But I never blame the tool. Only the craftsman… 🎹😂

As a horn player, perhaps my benchmark for where realism starts is different to many. But it’s rare to hear a sampled sax that I can’t tell in four notes it is a keyboard sound. Just as a B3 player can sniff out a sampled Hammond by the second or third note…

The thing about modeling is, you don’t really have to change how you play, or what you play (thank God! We’re all getting too old for that!), but the sound figures out the articulation you intended, and magically turns something that wouldn’t fool anyone using a sampled sound into something that even horn players have a hard time spotting as a keyboard sound. THAT’S my idea of great technology… don’t make me have to change how I play, just figure out what I MEANT to play and give me that! 🎹♥️