|
|
|
|
|
|
#109330 - 09/05/07 03:51 PM
Re: T2 and PA800 Piano shootout
|
Senior Member
Registered: 07/27/05
Posts: 10606
Loc: Cape Breton Island, Canada
|
Originally posted by Diki: Certainly, Ian.
But how MUCH compromise you can handle is what is important. Some can't handle hardly ANY (the Clavinova, P250 and RD700SX crowd), some can handle a modest amount (G70, PA800), some can handle a lot more (T2, PSR's, etc.)...
All, once again, just my (yada, yada,yada). Good one Diki...glad to see you haven't lost your sense of humor...unfortunately, you have the last two in the wrong order...it should be T2, PSR's, and then G70, PA800. How you could have made such an error is beyond me..perhaps your yada needs adjustment... You can relax...I've already forgiven you. Ian
_________________________
Yamaha Tyros4, Yamaha MS-60S Powered Monitors(2), Yamaha CS-01, Yamaha TQ-5, Yamaha PSR-S775.
|
Top
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
#109331 - 09/05/07 04:17 PM
Re: T2 and PA800 Piano shootout
|
Registered: 04/25/05
Posts: 14301
Loc: NW Florida
|
John, I'm not sure how you did that edit, and I'm also a little unfamiliar with how much editing you CAN do to T2's, but can I suggest a change in what you did?
To my ears, it basically sounded like either EQ or a filter cutoff change had been applied to the entire patch (forgive me if I'm wrong). This, although it warms up the sound a bit at lower velocities, had the effect of robbing all the highs when it WAS played hard...
Now, if you did this with EQ, there's probably not much you can do, unless to create a two or three way velocity x-switched patch that removes the high cut as you play harder. But if you did this by winding down the filter cutoff, you MIGHT try increasing the patch's velocity to filter cutoff setting, so as you play harder, the filter opens up a bit more, and gives you back the sparkle at high velocities.
Could you give this a try?
_________________________
An arranger is just a tool. What matters is what you build with it..!
|
Top
|
|
|
|
|
|
|
|
|
|
|
|
|