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#113876 - 03/22/01 01:13 PM
Re: Solton X1 Sampler
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Senior Member
Registered: 02/23/01
Posts: 3849
Loc: Rome - Italy
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George, sampling the D50 is a real chore, because it has heavily processed sounds, with a lot a chorus and so, if you want to avoid audible artifacts, the loops have to be very long; the only exceptions are percussive sounds with short decays, like electric pianos or guitars, and the organs, which can be sampled with ultra-short loops after the very first milliseconds. One advice: try to listen to a sound like "Staccato heaven" with all the effects off: I think that your jaw will drop, such is the difference! I have tried to sample these sounds "dry" and then re-adding the effects (with my Ensoniq ASR 10), which has a really nice DSP. Otherwise, I had to sample everything in stereo, with 2 samples per octave and long loops starting after the first 3 seconds. It was a really memory-consuming process, but almost worked. I say almost because I couldn't completely capture the D 50 magic: maybe are those 24 bit D/A converters... However, the ASR 10 was the only sampler which went very close to the original sound: the Akai 3000 was out of question and so I think the same applies to the X1.
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Korg Kronos 61 and PA3X-Pro76, Roland G-70, BK7-m and Integra 7, Casio PX-5S, Fender Stratocaster with Fralin pickups, Fender Stratocaster with Kinman pickups, vintage Gibson SG standard.
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#113879 - 03/23/01 11:44 AM
Re: Solton X1 Sampler
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Senior Member
Registered: 02/23/01
Posts: 3849
Loc: Rome - Italy
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George, I don't know exactly what a mismar is; however, I would use two samples per octave (i.e. a C and a G). I have tried to sample the D50 with an Ensoniq ASR10 and an Akai 2800/3000, with 32 Mbite of RAM each. What is impossible to sample is the texture of the sound of the D 50. With the Akai the sound was too "cold", while the Ensoniq gave me a wonderful, warm sound, but it was too perfect! The D 50 has 8 bit internal samples (very Low Fidelity). On the other hand, the effect section is really powerful and the combination of lousy samples and beautiful effects gives that unique sound which is so sought after even today. Anyway, if you tell me more about the mismar sound, maybe I can be more helpful.
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Korg Kronos 61 and PA3X-Pro76, Roland G-70, BK7-m and Integra 7, Casio PX-5S, Fender Stratocaster with Fralin pickups, Fender Stratocaster with Kinman pickups, vintage Gibson SG standard.
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