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#115528 - 06/27/06 02:00 PM
E50/60 DEMOS
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Senior Member
Registered: 09/21/00
Posts: 43703
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#115529 - 06/27/06 02:00 PM
Re: E50/60 DEMOS
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Senior Member
Registered: 05/26/99
Posts: 9673
Loc: Levittown, Pa, USA
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#115533 - 06/27/06 11:29 PM
Re: E50/60 DEMOS
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Registered: 04/25/05
Posts: 14301
Loc: NW Florida
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If the demos sounded good, Ian, why worry too much about the polyphony? It obviously was adequate enough for the demos..........
The cover function (which basically completely re-voices a style in one of several sound-sets - imagine a pop style completely changed to jazz sounds and kits with one button, or rock to techno, etc.) can dramatically increase the apparent number of onboard styles, plus 16MB onboard storage AND a PCMCIA slot, and compatibility with previous generation Roland styles (AND the easiest editing of styles of ANY arranger) should make that a moot point, KeybG............
A greater problem I see is Roland rarely ever tell you if you are listening to a 'tweaked' SMF of a Style or live play or a totally sequenced SMF........... To my ears (I have a G70) these sound like 'tweaked' or edited recordings of style play with the solo added later - I could be wrong, YMMV, Objects in Mirror may be closer than they appear.........
But......... still pretty good, eh??
_________________________
An arranger is just a tool. What matters is what you build with it..!
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#115543 - 06/28/06 09:15 AM
Re: E50/60 DEMOS
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Registered: 04/25/05
Posts: 14301
Loc: NW Florida
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Starkeeper......... sorry, but I posted about how easy it is to EDIT styles on Roland arrangers, not create them. I don't have much experience doing that, so can't really comment about that, BUT............
When it comes to quickly editing a style imported from a different Roland arranger, or tweaking a built in style, or getting a converted style to work well with the Roland's soundset, I believe the Roland's Makeup system has no equal.
Try one, and bring an old Roland style in on a floppy, and spend a bit of time seeing how easy the Makeup section makes changing sounds and volumes, and velocity (probably the most important thing for making a pattern work well on a different sound than it was written for), voice editing and drum re-mapping (amongst many other things).
Most of us have large libraries of older styles we have gotten used to, and would like to bring into our newer purchases, but if the process of tweaking them to sound good is so hard and tedious, we probably never get around to it. Ease of editing styles and SMFs is one of the 'invisible' features that few of us investigate deeply BEFORE we buy, but realize how important they are AFTER the fact..........
[This message has been edited by Diki (edited 06-28-2006).]
_________________________
An arranger is just a tool. What matters is what you build with it..!
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