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#142180 - 01/13/04 03:48 PM
Re: Modulation/Pitch Blend Wheels?
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Senior Member
Registered: 10/08/00
Posts: 4715
Loc: West Virginia
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Pitchbend wheels are a must if you want to truly get the right effect when playing sounds such as guitar, bass, and sax. A pitchbend wheel when used with a guitar sound will allow you to bend notes and use it as say a whammie bar.. They are by no means gimmic. It takes some practice to use them properly too. You have to know where and when to bend the notes.. A modulation wheel is also quite handy but for the basics a pitchbend wheels is quite important. Also theres the joysticks too that you'll find on Korgs and Rolands. Personally I think they work much better than the wheels.. I use the pitchbend extensively when playing. Many of my songs will have a guitar, or sax solo. Also if you're playing brass instruments the pitchbend is quite effective.
Squeak
_________________________
GEAR: Yamaha MOXF-6, Casio MZX-500, Roland Juno-Di, M-Audio Venom, Roland RS-70, Yamaha PSR S700, M-Audio Axiom Pro-61 (Midi Controller). SOFTWARE: Mixcraft-7, PowerTracks Pro Audio 2013, Beat Thang Virtual, Dimension Le.
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#142186 - 01/13/04 05:16 PM
Re: Modulation/Pitch Blend Wheels?
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Senior Member
Registered: 12/01/02
Posts: 1790
Loc: Medina, OH, USA
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Squeak hit it right on. When I'm with a SMF, my left hand stays with the wheels during sax and guitar solos. Even when I'm playing in arranger mode, for those instrumentals I use the wheels... and yes, I have a VERY busy left hand, but for me, it's worth it for the sound I can get. IMO, getting a great sax or guitar is one of the top AK benefits.
Start listening closely. Any time you're really impressed by a keyboard sax solo, and you're not sure if it might not be a real sax, you can be sure there was a lot of wheel or joystick action. As squeak and dnj said, it does take lots of practice to get it right.
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#142193 - 01/14/04 10:10 AM
Re: Modulation/Pitch Blend Wheels?
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Senior Member
Registered: 10/08/00
Posts: 4715
Loc: West Virginia
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Chuck, Here's what I suggest. If you can watch MTV or VH1 to see the bands playing.. Watch the guitar players. Also listen to some sax songs too. Listen closly to these instruments and you can get an idea of how they sound and where notes can bend. It really takes some practice. What type of keyboard do you have? I'll throw together some really simple examples for you using several voices and send them to you. When you get the hang of it I think you'll find yourself using them more Squeak
_________________________
GEAR: Yamaha MOXF-6, Casio MZX-500, Roland Juno-Di, M-Audio Venom, Roland RS-70, Yamaha PSR S700, M-Audio Axiom Pro-61 (Midi Controller). SOFTWARE: Mixcraft-7, PowerTracks Pro Audio 2013, Beat Thang Virtual, Dimension Le.
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#142195 - 01/14/04 10:40 AM
Re: Modulation/Pitch Blend Wheels?
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Senior Member
Registered: 11/10/00
Posts: 2195
Loc: Catskill Mountains, NY
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Don,
Nice rendition of "Before You Accuse me".
The foot pedal is a choice for someone who needs to keep both hands busy on an arranger. I started out many years ago as an organ player, but as soon as they became affordable enough, I switched to synthesizers. For me the pitch wheel became an extension of my playing, but I like a joystick even better, since it allows me to control both mod and pitch wheel bending, at once.
I just don't think I'd feel comfortable with a foot pedal for pitch bending. Sometimes my technique includes very rapid but barely perceptible bends that are meant to imitate string resonance. I don't think my foot would do as good a job here, no matter how I might try. I've tried assigning pitch bend to aftertouch on another keyboard, but that really didn't have the right feel for me either, as opposed to a pitch wheel / joystick.
Even when I play an arranger, I can pretty much free the left hand up enough to throw in some pitch bend articulations into a solo, as long as I stick to simpler chord changes. I set up my PA80 to recognize both single and multi fingered chords, so that I can manipulate the joystick with my ring finger while I change chords with my thumb and index fingers.
Squeak makes a good point. Before you try to emulate different instruments, it's good to give a good listen to some well played examples, while trying to focus on and picture what the player is doing with the instrument.
AJ
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AJ
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