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#149862 - 03/23/07 02:59 PM
Re: After some years
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Member
Registered: 03/12/06
Posts: 845
Loc: Miami FL nov-may/Lakeville CT ...
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GK made a double-6 inch speaker amp back in the early 80's that was gobbled up by vocalists in NYC for working small rooms. I have one I use up in NW Connecticut in the summer, and it is as good as anything I have ever used for vocals, and is powerful and versatile re inputs, outputs, graphic eq, too, and light and compact to carry. I use it for kb too, and it's excellent, lacks some fullness and bass for kb, but it is accurate and clear. for vocals, it's almost a rule of thumb that smaller speakers are better. When I see a folk singer/acoustic guitarist set up two 15-inch monsters on tall stands and spread them out across the wall in a small indoor or outdoor venue, along with a big powered mixer and a stack of effects in a rack, i always scratch my head and wonder what are they thinking???? they would sound so much better with one small clear speaker amp set next to them that takes no time to set up and break down, and no effort to shlep to the gig.
------------------ Miami Mo
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Miami Mo
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#149863 - 03/23/07 05:34 PM
Re: After some years
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Registered: 04/25/05
Posts: 14294
Loc: NW Florida
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A lot depends on the KIND of music you play, the kind of people you are playing FOR, and the VOLUME you are playing at (or ever expect to).
It's all well and good to look at a couple of guitarists with too much gear (they MIGHT be used to bigger rooms), but every time you bring an arranger to a gig, well, you just walked in with a drummer and bass player, and a couple of guitarists too....! You try to do this gig with too LITTLE gear, and you sound thin, brittle and small.
Now, if this is what your audience would prefer, you're in business. But if you went in to the gig saying you could sound like a full band, you'd better have the PA to produce this. 10" top speakers (with a horn or tweeter) are actually not too bad, but ONLY if you reinforce them with a sub. Doesn't have to be that big (12" or 15" tops, self powered), but unless you put a bit of 'oomph' into the room, you are going to sound like a bad Muzak system, and basically negate any advantage the arranger gave you.
And, don't forget, you are not buying your PA for the smallest room you play, you are buying it for the BIGGEST room you are likely to play (or you have to hire a PA for those gigs). So don't go TOO small.......
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An arranger is just a tool. What matters is what you build with it..!
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#149867 - 03/24/07 07:27 AM
Re: After some years
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Senior Member
Registered: 12/08/02
Posts: 15576
Loc: Forest Hill, MD USA
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Boo, There are lots of great systems available, and unfortunately, lots of mediocre systems as well. As Don said, let your ears be the judge. Both Don and I exclusively use the Bose L1 for nearly every venue. Those 24 tiny speakers in combination with a long-throw sub really do an outstanding job. You may want to look into purchasing the system directly from Bose and utilize their 45-day, no-questions-asked return policy. I've used the system to perform for audiences as small as a dozen, and as large as 1,200, and never had to turn the volume beyond the haflway point for the largest venue. while the Bose sells for $1,995, and bricklayers are all poor, you may want to look into the Logitech Z-5500, which sells for under $300 in most places. Some online sources had them on sale for $199 and free shipping a few months ago. It's an incredible system and really has lots of punch for audiences to 125 people. Good Luck, Gary ------------------ Travlin' Easy
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PSR-S950, TC Helicon Harmony-M, Digitech VR, Samson Q7, Sennheiser E855, Custom Console, and lots of other silly stuff!
K+E=W (Knowledge Plus Experience = Wisdom.)
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