John and James.
It's a difficult thing to do: choose the right keyboard. My musical background is mainly computerbased. Th CMI Fairlight had for me the best kind of sequencer on the market (called the Rhythm Sequencer) - yet I have never seen that kind of interface in any software sequencer. Yet I was satisfied with my Steinberg Pro24 and Cubase sequencers for the Atari 1024.
I guess with the sound of keyboards it's the same thing: there is no keyboard that can have the real quality sound that Fairlight had. I had a Kurzweil and a Fairlight running on MIDI, but even with heavy equalizing I couldn't get the Kurzweil lift to Fairlight's presence. It had to do with the quality of the samples.
However with EQ'ing you can get far and that is what all presentday keyboards do.
The samples are still heavy compressed (like mp3).
When I first heard the Yamaha Tyros, I was impressed with the sound. I still find Yamaha's voices incredible accurate with the real life instruments.
Technics and Korg have strong voices and are more like the instruments sound on records, with full "present-day" equalization, a bit harsh.
Trumpets have a naturally harsh sound and seem more realistic on Korg and Technics than on Yamaha. But the overall sound of Yamaha voices appeal to me. It's very personal and subjective, of course.
I totally agree that for Funk and Jazzrock that sound is better than the Yamaha, but for soft Jazz and Bebop I like the Yamaha sound better. Together with the enormous support of sites like psrtutorial and the unofficial Yamaha PSR resource site, and my interest in learning to make styles and work with computer software I am inclined to choose Yamaha.
If I had the money I probably would choose the Yamaha Tyros AND Motif ES6, Technics KN 2500 and Korg PXA1 61 key version. And it probably wouldn't stop there. Fact is: I am 55, playing for a hobby after not having played in bands for about 15 years and not having played at all for at least 9 years!
I want to pick it up again and I think the PSR3000 is good enough to make a restart in all I did before: play, compose and arrange.
If you go to my site - still under construction - you can hear what I did. The last photo in that page hides a demo I want to try on the Yamaha (exept for the original samples). It consists of three parts - in the last parts you will notice a mix of several styles: from small combo to classical to big band. All kinds of different trumpet sounds. Of course the qaulity isn't what Fairlight really sounded like.
Herco
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drdalet [This message has been edited by drdalet (edited 09-19-2004).]