Thanks to everyone for the warm welcome back. I was wondering how many people here might still remember me.
Though I haven't posted here in a long time (7+ months!), I've still (as time has permitted) tried to keep up with some of the interesting posting threads, sometimes amusing, and often heated debate, but got to admit it's been nice to just sit back on the side-lines as a spectator for a change. I'll probably remain a spectator most of the time, but will post if I believe I have something of VALUE or interest to contribute, answer specific questions, and ask for help if needed myself.
By the way, a couple of weeks ago I finally had a chance to audition and play a Yamaha S900 keyboard at my local Guitar Center store. I immediately appreciated how "ultra" compact & lightweight the S900 is, as well as by it's more professional cosmetic appearance than its predecessor. Following reports heard that the S900's key feel an improvement over the PSR3000, I sat down & played some melodic runs (scales & arpeggios), but immediately disappointed to discover the S900 key feel (at least to me) essentially the same as the PSR3000: spongy (sluggish) key response, making passages which require quick expressive articulation difficult to achieve. Even though, I still highly recommend the S900 as it includes MANY IMPORTANT niceties (SA voices, Audio Recording, Text lyrics support), and at a very NICE price. I also have to acknowledge that the S900 (like the the rest of the PSR series, and to a lesser extent the Tyros series), with paint on plastic casing doesn't seem as road rugged as the much heavier (in weight) built brand keyboards, but then again, because Yamaha arranger keyboards are substantially lighter (26-32 lbs vs 45-50 lbs), and if treated with reasonable care, can endure a rigorous transport schedule, as all my Yamaha keyboards (from PSR2000 to Tyros2) have (and continue to) served me well, and (most importantly) helped to prevent possible back strain or injury.
On another note, in addition to my usual gigs, I've embarked on another musical adventure. I've hooked up with an accomplished oboist (visiting University professor -musician from Italy) performing baroque period classical music together, which has given me the opportunity to discover the Tyros2's authentically realistic sounding 'SA harpsichord' voice. We're currently working on the Telemann: "Sonata in A Minor for Oboe & Piano (harpsichord)" and plan to perform it together in concert next month. The nice thing is that the keyboard part for this (and many baroque period pieces) is typically within the 5 octave range of a 61 keyboard.
Ok, back to KB screen visibility outdoors. I need to EMPHASIZE that the CompUShade (I mentioned above) offers about a 30% visibility improvement, and does not completely eliminate the outdoor visibility problem. It's important to add that the Yamaha Tyros2 includes an INDEPENDENT fully "tilt-able" LCD Screen Unit, allowing the CompUShade to attach to it, fully surrounding it on 3 sides, but most importantly tilt WITH it, allowing for adjustment to better help keep ambient light from entering the screen depending on positioning of the KB. I can't say how much benefit (if any) to keyboards that don't include a "fully independent" tilt ajustable screen to mount to & surround would provide. Another thing to consider is that the CompUShade units sold on Ebay for around $9 are an older model (with thinner gauge vinyl & vulnerable to bending in the wind) vs the heavier gauge vinyl on the one's
currently manufactured by & available from the CompUShade website. Ok, here are pics of the Tyros2 LCD screen both without & with CompuShade attached, as well as a shot of the CompuShade folded flat.
Back to making music . . .
Catch you soon.
Scott
[This message has been edited by Scottyee (edited 07-31-2007).]