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#192225 - 06/19/06 04:02 AM
Re: Is Korg Pa50 as flexible as PSR 3000
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Senior Member
Registered: 01/28/05
Posts: 1162
Loc: Oradea, RO
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hey sarah, welcome! i am sure you'll get enough answers to your question, and also if you search among the previous posts, you'll be able to take a good decision. if you got the chance to try both of these instruments, that's already very good. your ears are the best judge when come about sounds and styles. as a previous pa50 owner, i can tell you i was quite happy with my keyboard, the sounds are good and styles are modern. still, i didnt like the os, i thought was too many pages in the menus, etc. features wise, probably is more customizable than psr. pa50 is more like a workstation. more to learn. longer to get all the benefits. psr seems to be quite easy to get around with, easier os, also good sounds too.
my opinion and advice to you: if your looking for easy more user-friendly os, go with yamaha. still keep in mind that pa50 does the work excellent and gives more modern feeling to the styles.
both are flexible enough to help you do whatever on'off instruments and so on...
_________________________
Yamaha S770, Studio One 3, EMU 0404USB, ESI, ATH, Dell. And others.
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#192227 - 06/19/06 06:46 AM
Re: Is Korg Pa50 as flexible as PSR 3000
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Senior Member
Registered: 12/08/02
Posts: 15576
Loc: Forest Hill, MD USA
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Sarah, Go with the Yamaha PSR-3000--lots more options, more voices, easier operating system, lots of online support. Good luck on your decission, Gary ------------------ Travlin' Easy
_________________________
PSR-S950, TC Helicon Harmony-M, Digitech VR, Samson Q7, Sennheiser E855, Custom Console, and lots of other silly stuff!
K+E=W (Knowledge Plus Experience = Wisdom.)
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#192231 - 06/19/06 07:09 PM
Re: Is Korg Pa50 as flexible as PSR 3000
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Senior Member
Registered: 10/08/00
Posts: 4715
Loc: West Virginia
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Sarah, What's your style of music? Are you into more modern styles, thus require a board that will fill that particular need both in terms of sounds, and styles, or are you into more traditional styles? The Korg PA-50's styles (in my opinion) have a more modern and updated sound to them, but the board does work well for more classic traditional styles too. If you're into synth sounds, and want to edit them as well and dig into the acoustic sounds (tweeking them to your liking), then I think the PA-50 has a better synth engine. Again, all we can do is suggest things. If you can..., try to get your hands on both models to test run them (local music store if they carry them). I test drove the PSR-3000, and it wasn't to my liking (which doesn't make it a bad board either).. Different strokes for different folks Squeak [This message has been edited by squeak_D (edited 06-19-2006).]
_________________________
GEAR: Yamaha MOXF-6, Casio MZX-500, Roland Juno-Di, M-Audio Venom, Roland RS-70, Yamaha PSR S700, M-Audio Axiom Pro-61 (Midi Controller). SOFTWARE: Mixcraft-7, PowerTracks Pro Audio 2013, Beat Thang Virtual, Dimension Le.
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#192232 - 06/19/06 07:27 PM
Re: Is Korg Pa50 as flexible as PSR 3000
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Senior Member
Registered: 12/08/02
Posts: 15576
Loc: Forest Hill, MD USA
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Sarah, The only Korg styles that will play in the PSR-3000 are those that have been converted. Unzip those I just emailed to you, copy them to a USB Thumb Drive, and take the unzipped files with you to the store. Plug in the USB drive into the back of the keyboard, press the USER style button on the upper-left side of the keyboard, tab to USB and select the style files. You're going to like what you hear. Good Luck, Gary ------------------ Travlin' Easy
_________________________
PSR-S950, TC Helicon Harmony-M, Digitech VR, Samson Q7, Sennheiser E855, Custom Console, and lots of other silly stuff!
K+E=W (Knowledge Plus Experience = Wisdom.)
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#192233 - 06/20/06 02:36 AM
Re: Is Korg Pa50 as flexible as PSR 3000
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Member
Registered: 08/24/04
Posts: 666
Loc: City of Angels in the golden s...
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3k pros,pa 50 cons ------------------ interaction between seq/smf play and arranger (ie-in 3k-you can use internal drum styles on SMFs in realtime-meaning your rock smf can have a latin/pop/jazz rhythm instantly)
4 fills and which are very natural(PA has 2 and very erratic/unnatural sounding) 3 intro/3 ending
SM slot and USB to device(can use your 128/512mb sticks and never worry about disk swapping)can also load styles from it
real time 3 part Vocal harmony(with compressor,EQ and reverb)-which can be in saved per style basis
realtime pads-you can record licks,pharses,loops and synchronize with arranger-the function in workstations- like RPS like function of Roland(in Pa50 you can only have individual sounds-kick and snare,sfx etc)(you can assign other funcs like mutes
128 poly(62 in PA) 64 MB of wave ROM(pa has 32mb)
great 3rd party style support
better display,more simu efx
more realistic sax,piano,acoustic guitar sounds(mega voices made up for it) esp-ac guitar sounds like someone is strumming right near you
2004 technology (3k) and 2001 technology(pa 50-taken from pa80)
rootless chord recognition(scott yee will explain)
styles are more open and non recognizable easily(where in PA some 16 beats-repeats-licks can become obvious)
and now Pa 50's pros and 3k's cons -----------------------------------
cheap looking and toy like hardware for a 1500$ KB in 3k( pa is more well build)
better and louder speakers in PA
better sound editing in PA
better seq functions in PA
better synth and drum sounds(triton board)and loads triton programs
solid state disk OS(means they can upgrade) 20mb(3k has 1.5 or so but USB and SM slot made up for it)
256 preset + 48 user styles(can reconfigure all-like volume,sounds etc)(how ever 3k's music finder is more flexible)
realtime slider(you can assign it to cutoff or efx parameter)
dual seqs(for smf/song playack-you can do DJ like cross fades-)(nice idea done for pa80,but killed by FD compared to SM/usb technology since you can't put a harddisk in PA 50-unlike 80 or 60).style loading is also a problem since you got to do direct from FD (trying to test new styles,etc).
mid east/ethnic sounds and styles(and support)-if you play middle eastern music -3k can't offer much(no Ne' or Uds-PA has it and does sound good)-but if you play more western music - 3k's 3rd party support will make you smile
------------------------------------- so if you are a studio'band musician,do ONLY occational arranger work-choose PA-50
but if you are a arranger gigger,who use alot of styles and who sings-3k
the thing is 3k does what it's suppose to do with flying colors(realtime arranger keyboard)
PA however is in between(not a good arranger,not a good workstation either)(display can't compete with tritons-ie less informative and too many pages to change)
remember you can always add a used workstation(trinity,triton le,roland xp series and fantom S series(which have samping-expect for roland XPs) for less than 900$-which will outperform PA(as a workstation)
3k is the new king for this time in arranger world(for price and functions)also best selling-
remember PA(80) came out with 2k and 2k was still more popular(also better priced)for western music arranger giggers
most of arranger giggers have moved from pa-80/50 to 3k for versatiliy for solo arranger work.they'll also explain why.
it's like-" My ears prefer Korg but my job demands Yamaha".
[This message has been edited by jamman (edited 06-20-2006).]
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#192235 - 06/20/06 04:52 AM
Re: Is Korg Pa50 as flexible as PSR 3000
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Member
Registered: 08/12/02
Posts: 673
Loc: malaga, spain
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(Quote,)Hi, I'm in the market to buy a keyboard for the first time (I have always used a piano), and I believe that an arranger keyboard is best for what I want to do (write original songs). (end Quote.) Hi sarah, coming from piano to keyboard you are going to notice a lot of difference,but soon will adjust and benefit from the pleasure you will have with the keyboard,both of these boards have had a lot of comparison with good results,normally when these are tried out in the dealers they are set to flat,so once you adjust the EQ,s the sound will improve a lot,another alternative is to buy a second hand psr2000 or 2100 which would be a lot cheaper and then trade it in for the psr 3100 when it comes out. Even though these boards are easier to operate (psr range)you will find over many months so many things they are capable of doing which i am sure will impress you. mike
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#192241 - 06/25/06 10:32 PM
Re: Is Korg Pa50 as flexible as PSR 3000
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Member
Registered: 04/28/06
Posts: 837
Loc: North Texas, USA
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Sorry to resurrect an old thread but I own both of these boards and wanted to share my thoughts...
First to answer your question, yes you can mute any part of the style or change instruments in the Korg, just as you can on the Yamaha. You can even make your changes persistent, all of the factory styles can be modified (just reload from disk if you mess them up.) The floppy drive is very slow but gets the job done. Get the PA60 with HD if you can.
The Korg has a better key feel, more sophisticated effects editing, and a better sequencer (allows you to insert and delete whole measures, etc.). It's styles seem more musically complex, modern, and "live" sounding to my unsophisticated ears. Sometimes I have to mute tracks because it seems like there is just too much going on. But if you are playing in real time, you have to time your chord changes just right or it sounds like there is an interruption in the style.
I prefer organ sounds, and I'm dissatisfied with the Korg's panel voices. Not enough good choices for the lower (LH) voice. The Pa50 lacks drawbars or "organ flutes". The Yamaha does a better job approximating real instruments, especially the Pipe Organ. When playing chords with the accompaniment stopped, the Korg Pa50/60/80 do not sound the root bass, so chords do not have the same depth and impact as they do on the Pa1X and all Yamahas going back to the Electone organs of the 1970s.
With programming, there's very little the Korg can't do, but the operating system is much less user friendly compared to Yamaha. Part of the problem is the display, which although large gives limited information on each page. With all of the abbreviations, menus, control combinations, etc. there is a steep learning curve.
The Yamaha has better sounding voices, a wide variety of more forgiving styles (if not as musically complex), and a much more friendly operating system. There is more 3rd party online support, USB ports for computer connection and almost unlimited storage, and a color screen that can even advance the musical score as you play.
The sequencer is probably adequate for most needs. But due to a half-baked implementation of step editing, you can't insert measures or edit chord progressions in a recording made in real time. If you want to do heavy-duty editing, you would be better off using your PC and the XG Works software, which Yamaha unwisely discontinued last year. (Commercial sequencing software does not recognize the Yamaha specific XF meta-events such as chord changes.)
The PSR-3K lacks a panel control for "ensemble" (RH harmony). You can set it up in advance as a preset or assign to a pedal but that's not always convenient. Compared to the punchy bass of the Korg, the Yamaha sounds kind of flat out of the box. Adjusting the graphic equalizer improved the loudness a lot, made it almost as good.
The Pa50 is a great value for the money, and probably better than the similarly priced PSR-1500. But especially now that I have a copy of XG Works, if I had to live with only one board I would probably keep the Yamaha. This is based mostly on the quality of its panel voices, and highly approachable interface. If I had another $2000 to burn (and I could audition one first) I would also consider the Pa1X/Pro.
My $.02, Ted Sowirka
[This message has been edited by TedS (edited 06-25-2006).]
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