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#193450 - 01/01/06 10:24 AM
Re: Auditions versus demo's
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Senior Member
Registered: 09/21/02
Posts: 5520
Loc: Port Charlotte,FL,USA
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It makes sense unless one had an agent,eg ,that was busy talking you up at several venues at once. Also, since copies are cheap, once the master is done, the two approaches could be used together.
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pa4X 76 ,SX900, Audya 76,Yamaha S970 , vArranger, Hammond SK1, Ketron SD40, Centerpoint Space Station, Bose compact
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#193455 - 01/01/06 12:31 PM
Re: Auditions versus demo's
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Senior Member
Registered: 12/08/02
Posts: 15576
Loc: Forest Hill, MD USA
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Live works for me. I send out lots of CDs, however, the best job getter out there is when someone see a live performance and evaluates you as an entertainer. You just cannot do that with a CD. Cheers, Gary ------------------ Travlin' Easy
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PSR-S950, TC Helicon Harmony-M, Digitech VR, Samson Q7, Sennheiser E855, Custom Console, and lots of other silly stuff!
K+E=W (Knowledge Plus Experience = Wisdom.)
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#193458 - 01/02/06 06:56 AM
Re: Auditions versus demo's
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Senior Member
Registered: 06/25/99
Posts: 16735
Loc: Benton, LA, USA
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As far as I can remember, I've never gotten a job from a CD. But I don't think I've ever done a free audition either. I remember once years ago getting a job by telling the guy that if he didn't like what I did after the first hour then he didn't have to pay me. However, I am the World's Worst at hunting work. If it doesn't seek me out, I'm in trouble. Most of my work comes from referrals or from tips from fellow musicians. Oh, I just remembered, one time in South Louisiana, back in the early 80s, I went into a place with a cassette tape and player. I played it for the guy, and he said, "That's really great. I can put you in this weekend. How many in your band?" I told him he was looking at the band, and then he said, "Oh no, I have to have a whole band!" I still run into this today. In fact, it is even worse now. I've lost jobs that I played as a single for years and years because now they have to have a "full band", even though the customers would prefer me. I suppose it is because of the Karaoke phenomenon. While I'm rambling, I had a girl come up New Year's Eve and demand to see my playbook. I told her I didn't have one, and she asked "then how will I know what I'm going to sing". I told her that was easy, she wasn't going to sing anything. People often just don't recognize the difference between live music, arranger music, K******, DJ, etc. As Dylan said, "The times they are a changin'". DonM
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DonM
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#193460 - 01/03/06 07:34 AM
Re: Auditions versus demo's
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Senior Member
Registered: 12/01/02
Posts: 1790
Loc: Medina, OH, USA
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It depends how good your live performance really is. The better you are, the more advantageous the live audition vs a demo CD. OTOH... last summer I saw a Beetles cover band who's performance was IMO below average. When being introduced, the sponser stated that this was the first time she hired a band without hearing them in person, but she was so impressed with their press kit.
I was curious enough to obtain a copy of their press kit and it really was fantastic... photos, press released endorsements, and a CD that sounded better than they sounded live.
IMO, go the route which gives the better impression of YOUR performance... preferably live, but keeping in mind, you can, in addition, cover more ground by also using demo CDs.
Glenn
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