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#232205 - 04/17/08 09:40 AM
Re: In response to Dan01's request to 'start my own thread'....
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Senior Member
Registered: 01/16/02
Posts: 14376
Loc: East Greenwich RI USA
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Originally posted by Diki: But standing on the piano, slamming the lid, messing around inside the frame, strumming the strings, damping by hand... these techniques go back a LONG way before Jamie (Jerry Lee, anyone?). Some of the 'prepared piano' techniques even give ME the willies!
Perhaps it is time that we stopped treating pianos with some kind of religious reverence, and started treating them like other musical instruments... no worse, but no better. ....
They ARE percussion instruments, after all
True, Jamie certainly did not invent hard or unorthodox treatment of a piano - not by any means - BUT, and perhaps I am wrong in this, I hold jazz musicians to a different standard than rock and rollers ...I would not expect a concert pianist to treat a piano that way, nor would I expect jazz musician to ... I don't think Captain Russ, chas, you, or anyone else here would treat an instrument with no regard for its value ... And I will always look at a Steinway, Bosendorfer, Chickering, etc., with reverence ... Question ... If you had a Steinway grand in your house, and little Johnny came in from seeing Jamie's performance and started walking on your piano key bed, would you NOT stop him ??? As for Jamie's talent, I have great respect for it ... I just wish he had more respect for the instrument he plays so well ... Just my 2 cents worth ... t. PS ... sorry to get this thread off topic ... t.
_________________________
t.
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#232209 - 04/17/08 11:01 AM
Re: In response to Dan01's request to 'start my own thread'....
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Senior Member
Registered: 01/02/04
Posts: 7305
Loc: Lexington, Ky, USA
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Diki, yes, Jamie A lives in New Albany, Indiana, about 80 miles from Lexington, Kentucky, near Louisville. I first met him in 1966 when he was playing at the St. James Court art show in Louisville. That's before he started his distinguished work as a music professor at the University of Louisville and his work with outside education projects. His family was a leading group in the construction of river steamboats. I admire that, besides being financially very comfortable (I've heard), he really made a name for himself.
The 4 Tv appearances here are produced by the local Jazz Arts Society. They're on public access tv. I'll see if I can locate a copy or copies. If I get them, I'll send them to you if you'll email your address.
His company also sponsors the series. He has to be in his mid 60's. He's fit, and blows all the other local tenor guys off the map.
Thanks to you, Chas and others who recognize the uniqueness of the jazz art form. Chas, the "higher personal standard" factor is something only you and other jazz "nuts" (both performers and listeners) understand. It's most introspective. Playing for yourself...pushing the envelope to develop variations on the lead line...tempo alterations, structure modifications and more is unique to the art form.
It is a "niche" art form fraught with highs and lows (for some, sadly). The challenge, for me, at least, has been to not let the art form completely control my life...to avoid the lows and spend my musical life enjoying the ride.
And I have.
Russ
Great thread on multiple levels.
Russ
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