Originally posted by Uncle Dave:
Leslies were bone dry
Leslies stood in a room or hall... Those provided the ambience, or reverb was applied to the mikes in a studio situation.
The problem isn't that the Leslies are bone dry (actually, there's a pre-Leslie reverb send), it's that you can't route the B3 section, with the Leslie turned off (but the C/V still on) to a separate output to feed to the Pro-3T. You either do without, or lose the effects on every single part you play EXCEPT the B3 section (by having to route them to the Direct Outs, which are pre-effect).