I don't think I mentioned the word "revolutionary" in any of my posts, but what I did find amusing is FransN's comment about the Yamaha's being "over-priced".
Considering the Yamaha CP1 is roughly the same price as the V-Piano, and contains
both modeling
and sampling, as opposed to the Roland's
modeling only, why is it that the V-Piano is not overpriced as well?
And this is without mention of the Yamaha CP1's excellent e-pianos, and first-class controller functions, both of which are conspicuously absent on the V-Piano, and which undoubtedly add considerably to the former's value as a stage/studio instrument.
I'm getting the distinct impression that FransN isn't an avid and/or accomplished piano player, or at the very least, just wants to attempt criticism of a product he has not even tried and seems to know very little about.
Critics are like eunuchs...they know how it's done, they see how it's done, but they can't do it themselves.
Most importantly, this technology, both in the V-Piano, and the new Yamaha's, is bound for implementation in the next top of the line arrangers from these companies.
Things are really getting interesting, and no doubt Korg is working on a similar approach for the PA3XPro(?); they're going to be
forced to catch up...good news for the Korgians!
The rumors of Casio's new flagship arranger that utilizes something similar to SA and DNC have died down, but I can't imagine them being out.
If you snooze you lose in this highly competitive market, and we, the consumer, benefit from the rivalry.
I remember back in the day when the high-end Prophet-5's, the Oberheim OB's, the Jupiter-8's, the Memorymoogs, and the CS-80's were all fighting for a piece of the lucrative synth market.
Now, it seems that digital pianos are embroiled in the same battle.
Ian
[This message has been edited by ianmcnll (edited 12-21-2009).]