In other words you can easily emulate a BAD flute player!
Why would they do that?
DonM

Maybe they just want to sound like him...

That Sweet Flute "squeak" can be easily tuned down or out. I don't like it either.

Lee, if you did hear that squeak with a Pan Flute sound it was probably layered Sweet Flute with Pan Flute.

Yes, some jazzers like to overblow and get that sound. Not for me though for my uses. Kind of like hearing a guy breath in before he blows some of the horn sounds. I mean really, come on

Ha ha...they tell me the first guy they tried out for that breathing sample had asthma...

Yep, simply switch off the velocity switching or simply don't play that hard. I like the affect, there are some Jethro Tull flute parts that require it. This seems like a stupid topic of discussion. You could talk about any velocity switching voice like this. If you don't like it then DO SOMETHING ABOUT IT ... don't bother complaining.

Now that would be funny. I'd use that

Hey, is there a way to have the quotes larger left to right so you don't have to use the scroll thingy?

Gary,
AH, As I thought...ny experiene with the T2 was that it was very easy to 'Screw up' and it some notes a little too hard or soft. Too soft and the sound just did't play much, too hard and something I didn't like came out. So, the question is is the T4 the same or have big improvements been made in the programming to eliminate the 'Touchyness'???

Nigel,
Sorry, I think it's a good question for me as I have no idea how programmable the T4 is as far as sounds...I can tell you that the PA2 has FULL programmability of everything on the sound except the sample data itself, and that could be substututed.

I do not want to be stuck with some of those automatic nuances in some sounds. Yes, I realise learning the correct touch on SA & SA2 is important...but on the T2 I found it difficult.

Good answer!
DonM