|
|
|
|
|
|
#326995 - 06/23/11 12:02 AM
Re: Tyros4 Owners: Your experience over previus Yamaha
[Re: saxxman]
|
Member
Registered: 01/05/01
Posts: 875
Loc: Garstang, Preston, Lancashire,...
|
|
Top
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
#326998 - 06/23/11 02:13 AM
Re: Tyros4 Owners: Your experience over previus Yamaha
[Re: Jose Pereira]
|
Member
Registered: 09/09/10
Posts: 251
Loc: Holland
|
I,ve sold my t4 for the new korg pax3 muzikant,i have also the Audya, Audya is much more live on stage with huge pressure on drums and sounds,also the styles gives you an live experience. The t4 has no pressure at al,and the eq is not deep enough,bassamples are not deep,Audya is much deeper,basedrums gives you much more pressure than the T4. Recordings with both instruments,difference is hughes,Audya is live on cd and t4 is and still stays an home keyboard. My opion,Yamaha go for an other direction,the tyros series are at the end of there latin.Much to expensive for what it gives. Audyaplayer.
|
Top
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
#327000 - 06/23/11 03:22 AM
Re: Tyros4 Owners: Your experience over previus Yamaha
[Re: Jose Pereira]
|
Member
Registered: 06/27/02
Posts: 214
Loc: Funchal Portugal
|
Hi audyaplayer I concur that Audya live sound, specially styles is amazing, but feel that the right hand sounds are very weak, destroying the illusion after all. I remember a few years ago that I put several drum samples in my tyros2. Despite the almost an hour for loading them, the sound changed dramatically. And I also do my own styles, specially Latin ones. By the way, the Audya Latin styles are excellent but too dated. So, I think I'll go with Tyros4 and a flash ram card. I already heard the Alto sax premium voice which I think is above anything other keyboard. I also do a lot of smooth, modern jazz (spyrogyra, ewf, sanborn, etc) and this sax sound is very close to the real deal. Put a good style with enough groove for 16 bars and voila! The Audya killer! Hehehe. Nah, just kidding Thanks for your comments! Best regards Jose Pereira
|
Top
|
|
|
|
|
|
|
|
|
|
|
|
|