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#350408 - 09/05/12 03:56 AM
Re: Korg Pa600
[Re: cgiles]
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Registered: 04/25/05
Posts: 14268
Loc: NW Florida
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JMO but I think the Chord Sequencer is one of those features that is PRICELESS if you use it and WORTHLESS if you don't. LOL... what feature isn't? I think I have always said that it really rewards the better player, and has little impact on the more pedestrian. If you don't have much of a left hand, if you don't play a secondary instrument, if you aren't a bender heavyweight, if soloing freely isn't your strong point, no, it is of limited use. If you DO any or all of those things though, it is almost impossible to function at your best without it. For jazzers, it has a great use... Play through the head, but keep the chord substitutions to a minimum. Then hit the CS, and then, while the rhythm section stays fairly straight, you can reharmonize, and get pretty outside, all the time the chord recognition is not going to go gonzo on you... Bi-tonality, whole tone stuff, basically everything you daren't play now knowing it will freak out the backing. A million and one uses... or none at all..!
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An arranger is just a tool. What matters is what you build with it..!
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#350435 - 09/05/12 11:29 AM
Re: Korg Pa600
[Re: Saswick]
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Senior Member
Registered: 07/27/05
Posts: 10606
Loc: Cape Breton Island, Canada
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I think Korg has done many of it's supporters a great favor by adding the Chord Sequencer to the PA-600.
No, it's not for everyone, but, if you like soloing over a bridge or verse in the tune and have complete access to mod/pitch wheels or joystick, it will be indispensable.
I remember Roland had it on the E-70, back when I was doing clinics for them, and I found it very handy...I'm not sure how intuitive the Korg Chord Sequencer is, but the one on the E-70 was seamless and very easy to use.
I agree with John Smies in that the S910 (still my favorite arranger next to the Tyros4) and the Korg PA-600 would make a great package.
Ian
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Yamaha Tyros4, Yamaha MS-60S Powered Monitors(2), Yamaha CS-01, Yamaha TQ-5, Yamaha PSR-S775.
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