So, Donny, when is FrankieV getting the order ?!? ... hopefully you will go to CT to pick it up and I can take a ride down to hear you on it OOTB !

Ya'll better call Frank, or they will all be spoken fore before he gets 'em in!!
Or just wait a couple of weeks until DNJ gets tired of his and goes back to Yamaha!

Believe me I'm tempted fellas to get the Pa4x.....
maybe I'll talk to Frank just to see whats sup as I don't buy gear anywhere else but from Audioworks Ct,.....we'll see..?

btw Tony your due for a Pa4x also now that your a KORG man

Donny ... maybe if I were as busy as some of you guys - or maybe even HALF as busy ... but I am really enjoying the Pa900 ...

Don,

Good stuff.

Still I haven't heard that lush Yamaha pedal steel in any PA 4X recordings as of yet. That seems to be the main thing missing for me in Korg.

Had the PA 4X have a steel guitar that would blow me away as does my Yamaha Tyros 4 and PSR S970, I would probably jump.

If I could edit to get that Yamaha pedal steel to get that sound on a PA 4X.....

Why aint you busy Tony?..your calendar should be full where you live and your a great player also..

Thanks Don, but that is "Everybody Talking" link.
There is a "download" button on top of the page, bud nothing happens.

Anyway, can stream and listen

Guitpic, when I get time I'll come up with one. If all else fails, I'll BUY one.

Thanks, Donny ... a few reasons ... I'm not pushing for the work as much - I don't NEED it, and I play enough to keep me happy; a lot of 'young bloods', performing for less, singing to tracks with a wireless mic, 'schmoozing' with all the elderly ladies (let's face it- they would rather have a 30 or 40 something schmooze to them than a 74 year old ; and a number of gigs with the female vocalist where even I sing to tracks, and I don't even need a KB ...

I am still trying to get a gig at a nice restaurant ... it seems that in the past year more upscale places are having live entertainment on 'off' nights - Wednesday or Thursday - but even there, there's a LOT of really good young talent around here ... guys doing Buble and Sinatra tributes, with all the mannerisms, etc. ... of course, singing to tracks ...

...which begs the question, 'unless you're a really accomplished keyboardist, how much of a return are you getting for dragging along a $2-4000.00 keyboard (assuming the focus of your act is the vocals). How much more money would that "good young talent" get if they were using arrangers instead of 'tracks', especially if the arrangers were being used mostly to play SMF's? Just asking; is all that 'latest/greatest' hi-tech gear for you or the audience? I don't know if I've ever seen a top-notch 'Pro' with gear that was under 5 years old; usually older. just sayin'.

chas