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#46656 - 06/25/02 03:03 PM
Re: Recognizing cords Technics / Yamaha
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Member
Registered: 01/17/02
Posts: 46
Loc: Sonora, CA USA
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Your third possibility, Alec would be better suited for the beginning player. It takes some familiarizing of CHORD MODIFY, with a lot of trial and errors to come up with what a player wants. CHORD MODIFY does well for people who use pre-sets. It is very good to use when a pre-set has the chord composed as a Major 7th, which can be a real pain in trying to use when playing deep harmonies. You will run into a problem of chord recognition every time. Getting around this is easy by going into GROUP and changing to Chord and CHORD MODIFY TYPE to CEG and click OK. One who is experienced in laying down tracks in COMPOSER will seldom use this or at least, I don't.
Getting back to bass sound - You can go into PART SETTING and change your Bass PITCH POINT. I generally set it to "E" because of the way the keyboard is designed. It will always play the higher F note and it sounds weak. By "E" being the cutoff, when you play an F, it will jump down an octave to the lower F and sound more resonant and fuller. On occasion, (but seldom) in composing a style, I will set it to respond to the higher F. It all depends on the style of music. An electric bass comes through well enough on the higher F. Using acoustic bass is another matter. It gets lost in your chord, with little resonance.
What I have discussed here is for what I have found to work best for a live performance. If you are doing recording work, there will no doubt be times you will want to change your bass pattern or chord to suit your song perfectly.
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#46659 - 06/26/02 05:25 PM
Re: Recognizing cords Technics / Yamaha
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Member
Registered: 01/17/02
Posts: 46
Loc: Sonora, CA USA
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Alec,
I disagree. Other than playing in the key of "F", the keyboard is designed well for the bass to fall in the proper place, other than my personal preference of preferring it hit the lower F instead of the octave above. As I have said, using electric bass is resonant enough for the higher bass F to come through. I stand by this statement PROVIDING a bass pattern hasn't been composed in a wild and all over the keyboard way and extending beyond a reasonable reach for a bass. Also, I am assuming one composes in the key of "C". If you want to play in another key, do so or use the transpose button. Once I compose a pattern, I have yet to have to change the pitch point later, depending on the key I play in. I can play in any key and the bass will respond in the proper place. I suppose if someone composed a bass track higher than the normal bass range, you can run into a problem that would definitely require going in and changing the pitch point. Otherwise, I have not had a reason to do this.
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