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#473857 - 08/01/19 10:17 AM
Re: It is here.
[Re: Dnj]
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Member
Registered: 03/22/17
Posts: 449
Loc: Mountain Home, AR
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I agree with Chas. This keyboard really doesn't SOUND any better than my 3000. Of course I haven't heard the new steel guitar.
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PSR 740,PSR 3000, Mirage, tx7, mp32, Pro Tools 10,11 SONAR, Reaper, BIAB 2020 and a pile of Computer Music mags w/disks College student was working on Doctoral, Education Now just doing courses to do courses
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#473860 - 08/01/19 10:48 AM
Re: It is here.
[Re: Tom NL]
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Senior Member
Registered: 09/29/05
Posts: 6703
Loc: Roswell,GA/USA
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You don’t have to provide me with any video of course, but since I thoroughly enjoyed these demos, I looked forward to seeing one of yours if it is even better.
Regards,
Tom
Tom, 'better' is highly subjective. I'm sure Martin Harris is a MUCH better musician than I and an experienced demonstrator as well. First of all, if you enjoy this type of music, it's unlikely you'd like anything I did. Taste in music is a very personal thing, usually heavily influenced by one's cultural environment (familiarity). I have posted tons of music here but hardly any (if any at all) have been 'style' based and most were done on organ, synths, and other non-arranger keyboards. I DO own (and am interested in) arranger keyboards, just not as performance instruments. Some here are able to use them very effectively in a pro environment; I have just chosen to use organ as my primary or base instrument. I also prefer to play with other musicians. For me, arrangers are both fun and useful for song creation, instant style experimentation, and communicating arrangement concepts to other musicians (in preparation for a group performance). To gig or not to gig with one should be a personal decision that does not require defending. "Different strokes for different folks". Do I like arranger performances? Generally no, but there are exceptions. When a blind guitarist can't distinguish Don's simulated guitar from a real guitar, then YES, I like it. When Marco Parisi plays a blistering solo that provides all the 'groove' (feel, syncopation) that might be missing from the more robotic arranger backing he is using, then YES, I like it. When someone takes the time to learn all the potential musical features buried in the average MOTL/TOTL arranger, and then use them in a performance, then YES, I like it. Sorry, I just didn't hear that in the demos being discussed here. Be well. chas
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"Faith means not wanting to know what is true." [Nietzsche]
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#473864 - 08/01/19 11:20 AM
Re: It is here.
[Re: Dnj]
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Senior Member
Registered: 05/26/99
Posts: 9673
Loc: Levittown, Pa, USA
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A wise man never sells unless he has to... remember you never lose a dime until you sell. BTW: here is a lesson I learned a while ago. I will call it my $50 lesson Roland SH101 retailed new at $295 (I was a Roland dealer), after a few years they were readily available for $50 used.. Same with Roland TR707, Rhodes pianos, and many more... $50 items, that I could have bought up by the scores.. Any ideal what those $50 instruments bring today? And not collectors , but a lot of users.. SH101 $800-$1,000, TR707 $500-$700,Rhodes $1,000-$1,500. Donny now think about how much $$$ you threw away
Edited by Fran Carango (08/01/19 11:32 AM)
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