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#474430 - 08/09/19 10:02 PM
Re: PA700 Organ Bossa style....
[Re: cgiles]
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Senior Member
Registered: 10/23/06
Posts: 1661
Loc: USA
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Yes, I use the original chords also, except for the Gb maj7 in the first chord of the bridge. I play it as a Bb min6. On the next chord (B7) I play a fill with a broken chord of 9ths and flatted 5ths. With the D7 I use a whole tone scale for the fill. The Eb7 chord= below it add a flat 7th, flat 5th and the Eb root note. The D7-9..who figured that one out? I play the chord thus: going down from the melody note G#, E, C, F# (it's a D7 9th-5th. Same with the C7. Play it as a C7th flatted 5th on top and E note on the bottom. Easier to play it then explain it. I was never much on "chord substitution," but the fellow I was studying with last year introduced me to it on a surface level. A month or two ago, the penny dropped and I found out I just love the dissonance I'm hearing now compared to the standard chords: 6th's, major 7ths, 9th's. Just the flattened 5th alone (against a 7th etc) makes a world of difference in the overall sound.
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#474537 - 08/13/19 05:53 AM
Re: PA700 Organ Bossa style....
[Re: DonM]
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Senior Member
Registered: 05/26/99
Posts: 9673
Loc: Levittown, Pa, USA
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There are more and some newer voices in the EA7, particularly piano. Drums sound the same to me. Intro one on most of the EA7 styles has been reworked to use as a break/fill. Regarding the charts, I really prefer to put my chord changed in line with the lyrics. Like "Your cheatin' [1] heart, will tell on [4] you. You'll cry and [5-7] cry, like us old farts do...." Don, regarding the Intro1 as a break on the E-A7, beside the silent break button.. Testing the intro1 on the G70 gives the same results, the plus, the G70 has 6 fills (3 up and 3 down).. They dropped this on the E-A7 (only 4, same as other competition).
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