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#497858 - 05/30/20 09:24 AM
My another PSR-S950 demo… and more…
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Member
Registered: 11/11/04
Posts: 708
Loc: Russia
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#497876 - 05/30/20 02:34 PM
Re: My another PSR-S950 demo… and more…
[Re: Kabinopus]
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Member
Registered: 11/11/04
Posts: 708
Loc: Russia
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Thank you, John, Donny, Gary, W Tracy Parnell, Fran, it’s nice to get your replies.
Fran, in my case the problem was in small speakers that I used. There were good and large speakers at the place, but someone had messed up the cables and I had to use my portable ones at maximum volume, and I guess Juno’s sound is less processed and has wider range of frequencies, something like that. Better speakers or some EQ, I believe, would’ve solved the problem. It also can be that since PSR has speakers of its own, its sound is already adjusted to them and any comparable ones.
John, actually there are five songs in that PSR video, the first one happened to be quite long; I usually prefer softer music myself and nylon guitar is my favorite, but sometimes I like to play the PSR this way.
I keep trying making “demo” videos as someday I hope to get some support from some store or a manufacturer; have a thought that when the things are back to normal, at least Yamaha would let me to make a video with Genos or SX900 at their office in Moscow. In the same time arranger keyboards is surely not a very popular subject in Russia. Just think: when I got my PSR-S950 about 7 years ago, the price was about 60.000 rubles. Right now you’d have to pay 140.000-160.000 rubles for SX-900.
But as we know, where there’s a will, there’s a way; keyboards like PSR-S670 are much more affordable(about 54.000 rubles) and sound rather similar.
I often think that even S950 is already too much; too much to listen to, too much to carry. I happened to grow up with arrangers and only when I was about 22 or so I got my first guitar (the one in the video). Sometimes it feels like this guitar and a keyboard with good EP sounds is all I need (which is Juno DS). And I keep my PSR in a bag. But there’s a chance that if I somehow get SX900 of Genos I will abandon everything else because you know how seductive these machines can be.
But for now restaurants are closed here and it’s mostly this simple guitar which keeps me occupied.
Edited by Kabinopus (05/31/20 01:27 AM)
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#497893 - 05/31/20 07:52 AM
Re: My another PSR-S950 demo… and more…
[Re: Fran Carango]
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Senior Member
Registered: 09/21/00
Posts: 43703
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Edited by Dnj (05/31/20 08:04 AM)
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#497922 - 05/31/20 03:36 PM
Re: My another PSR-S950 demo… and more…
[Re: Kabinopus]
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Member
Registered: 11/11/04
Posts: 708
Loc: Russia
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Thank you, Donny, for the video, it’s beautiful. I thought this song was released in 1986, just as me So it’s either I have a wrong data, or you were a kid almost when I was a kid; or there’s an another explanation... Montunoman, thank you! I agree with you upon this vision. Perhaps, I don’t use the term “restaurant” accurately enough; you know, you can plan to play in one place but end up in completely different one. Last time I ended up playing in some family cafe, where a stage for musicians and playing area for kids are the same and it was so loud there that PSR seemed to be more capable to compete with the noise. I used to play an acoustic piano at coffeehouse before at that was fine, and playing a grand piano in a fancy restaurant was the best, but eventually I figured that with a keyboard and a car I would be able to play in more places (today there are no places with piano in my area). Initially I thought that playing PSR for 3-4 hours would be easier than playing just a piano, perhaps, it is not so. Oh, well, it was actually digital pianos at some restaurants which made me to think about changes. I know that I’ve been complaining about it before. Perhaps, being completely digital is not so great, you had to have either some vocal, or an acoustic piano, or a guitar or something to make such a long playing bearable. Something not so perfect, not so predictable. They say that a musician should play for his audience and not for himself; but I don’t really see how it would work. You can make a sandwich for somebody else, not eating it yourself, but playing music you are inevitably first in line to eat it all and if you know that there’s something wrong with it, no matter how the audience reacts, you just know that you won’t be playing here for long. Even if I try to analyze how people react to videos on YouTube I see that it’s rather unpredictable; attempts to please, to sell - they are not working out; I guess, it’s more about passion, sometimes you have it, sometimes you don’t, and people feel it quite well, or it’s a pure lottery all the time, who knows?
Edited by Kabinopus (05/31/20 04:04 PM)
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