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#69551 - 11/26/09 03:22 AM
Re-'Keyboard & My Music Gifts'
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Member
Registered: 05/01/03
Posts: 88
Loc: Birmingham, England
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Hi John,
With reference to your recent post 'Keybaord & My Music Gifts':- All the points raised were of course, very valid. And it's true, that many 'ear' players who do not need a single note of written music to be able to sit down and play whatever they wish, possibly express and 'emote' their playing more than the average 'reader'- amateur or semi-pro.
But, I felt that the debate missed out on one very important aspect of all playing. namely:- The use of 'chords'. - This aspect of playing can make or destroy the playing. The chords used by the player to play any song, are absolutey vital, as to how the playing sounds. Change the chords, and you change the piece. Many good players do not sound as good as they should, because they fall short in their application of chords. Example - many 3 chord songs could actually be expressed with the playing of at least 15 chords instead of 3. And in doing so, make the piece more interesting, stimulating, and more musically challenging.
It therefore follows, that the application of chords by the player, the chords he/she choses to use, form a major part of how the playing will sound. Whilst it might be true to say, that the average listener, has no conception of 'chord-work', the fact remains, that their enjoyment of a song may very well be based upon the interpretation of chords used by the player.
If you were to give a rendering of '3 Blind Mice' all accompanied by minor chords, it would undoubtedly sound somewhat dreary. But give the same piece chorded accompaniment of majors-sevenths-9ths-augmented and diminshed, might well mean that those listeners who disliked the 'minor' version, would love the alternative version.
Therefore, in my humble opinion, the chords used by the player to accompany any song etc, is the most vital factor applied to the playing. - So, bring back chord-work I say. ! Chords 'MAKETH' the music. Exactly as per Rachmaninov and all his classical companions. - Cheers,
Colin.
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#69552 - 11/26/09 03:54 AM
Re: Re-'Keyboard & My Music Gifts'
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Senior Member
Registered: 09/21/02
Posts: 5521
Loc: Port Charlotte,FL,USA
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Very good. I agree.
_________________________
pa4X 76 ,SX900, Audya 76,Yamaha S970 , vArranger, Hammond SK1, Ketron SD40, Centerpoint Space Station, Bose compact
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#69554 - 11/26/09 05:56 AM
Re: Re-'Keyboard & My Music Gifts'
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Member
Registered: 05/01/03
Posts: 88
Loc: Birmingham, England
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Hi John,
Firstly, my thanks for your kind words. - My apparent 'absence' from the SZ scene has not in any way reduced my love of music. Even though my playing and sequencing have now almost come to a grinding halt.
In consequence, and to answer your question - although I have all my sequences stored in my computer as MP3 files, my computer knowledge is so limited, that I have no idea how to put such files online so that people might be able to listen to them, or download them. - In any event, it's never occured to me that anybody might want to listen to them. I sequence (or, did sequence) purely for my own pleasure. And in the main, for the challenge of doing my own arrangements. - However, it was nice of you to ask.
In regard to your own comments on this subject - I most certainly hold the view, like you, that the personal selection of what chords to use when playing any song, has to result in being part of the 'personal expression and feeling'. - I wonder what others think. ?
And are we really talking here, of theories that might only be applicable to true 'ear' players. ? - I personally, have no idea as to whether 'trained readers' change their chord-work from the original so as to enhance their playing. ? I wonder. ?
Colin.
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#69555 - 11/26/09 12:59 PM
Re: Re-'Keyboard & My Music Gifts'
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Senior Member
Registered: 09/21/02
Posts: 5521
Loc: Port Charlotte,FL,USA
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Wheras, I'm a garden variety reader, playing mostly the given chords, I make changes, as well as adding chords. Fake books are only a rough skeletal quide at best. For example, I might change a G7 chord to G7AUG for added tension. The big boys come up with chords that would knock your socks off. There is a chord for every movement of the left hand and ear players could well be doing the same thing, except they have no given name for it. Bernie
_________________________
pa4X 76 ,SX900, Audya 76,Yamaha S970 , vArranger, Hammond SK1, Ketron SD40, Centerpoint Space Station, Bose compact
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#69556 - 11/26/09 05:36 PM
Re: Re-'Keyboard & My Music Gifts'
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Senior Member
Registered: 03/19/02
Posts: 1098
Loc: Cambridge, Cambs, England
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Whilst I agree with most of what is being said here, I do think that if we all stuck rigidly to the music, it would become very boring. To change or 'tweak' chords etc., makes the music more interesting and colourful. I also think changing styles to certain types of music, adds to the interest. As an example, I have been playing 3 Blind mice to a boogie rhythm since I was 8 years old (and no! I'm not going to tell you how many moons ago that is) To this day, it still surprises people when I play it to a boogie rhythm. As Bernie said, for some of us the given chords are just a guideline.
Having said all that, for me,there is nothing more pleasurable than hearing a good piano played by a first class pianist, whatever type of music is being played.
Audrey
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#69557 - 11/26/09 06:28 PM
Re: Re-'Keyboard & My Music Gifts'
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Senior Member
Registered: 01/16/02
Posts: 14376
Loc: East Greenwich RI USA
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Originally posted by The Leans: Hi John,
..... my playing and sequencing have now almost come to a grinding halt.
- although I have all my sequences stored in my computer as MP3 files, my computer knowledge is so limited, that I have no idea how to put such files online so that people might be able to listen to them, or download them. -
... the personal selection of what chords to use when playing any song, has to result in being part of the 'personal expression and feeling'. - I wonder what others think. ?
... I personally, have no idea as to whether 'trained readers' change their chord-work from the original so as to enhance their playing. ? I wonder. ?
Colin.
Colin ... 1) ... unless this is due to some illness or other tragedy - and I pray that is not the case - there is no excuse for not playing ... I hope you get back to it very soon ... 2) ... file sharing is SO easy, even I have been able to do it ... basically, you go to a file sharing web site such as any of the ones I've listed below ... you drag and paste - or whatever - your file to the designated place on the file share web site ... follow the simple instructions, and then provide people with the link to get to your files ... it is really easy ... http://www.box.net/ http://www.yousendit.com/ http://www.4shared.com/ http://www.rapidshare.com/ 3) ... 'replacement' or 'lead-in' chords certainly allow the performer to put his or her individual 'stamp' on the performance ... PROVIDED they are the proper replacement or lead-in chords ![](http://www.synthzone.com/ubbs/biggrin.gif) ... 4) ... being a 'trained reader', I often use replacement or lead-in chords in a song ... however, I do agree that 'ear' players have a unique ability in this regard ... I have often been frustrated by not being able to find the right combination of notes to play what I am hearing in my head ![](http://www.synthzone.com/ubbs/frown.gif) ... Along with enhancing a song with different chords, I also find it enjoyable when during an 'ad-lib' solo, a player adds in 'lines' from another song that utilizes the same chord structure in a certain passage ... I have been told that this is called "using quotes", as in 'quoting' the notes from another song ... Hopefully, we will hear some of your music in the near future ... t. ![](http://www.synthzone.com/ubbs/cool.gif) [This message has been edited by tony mads usa (edited 11-26-2009).]
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t.
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