The most dis- ‘Orient’- ing gig I’ve ever done !
I want to start out by saying that this was probably one of the more challenging gigs I've ever worked, perhaps because many in the audience were foreign born immigrants un-acquainted with my American style of music: classic pop standards. In fact, all the acts that preceded mine were traditional Chinese acts (ethnic dancing & Chinese acrobats). When I came on, a few of the Chinese didn't know what to make of a Chinese guy singing in English, but I'm a 4th generation American.
My show started out well, drawing a large crowd, but I barely got through my first song (Route 66), when a lion procession headed up the street past the stage, clanging bells, banging drums, and tossing firecrackers into the crowd causing my audience to disperse in terror
, while I, unbelievable to even myself, continued to perform thru this din of noise, not being able to hear myself over the dissonant loud drum rhythm. I credit my ability to have endured this only to the years of having to play over loud drunks and giant projection TVs in bars, though I never thought (until now) that I'd ever encounter something more distracting than 'that!'. After pulling thru my first 2 songs, the lion dancers finally left the area and my audience was able to return and regroup (albeit smaller in number). The rest of my set went pretty smoothly, though I was no longer at the top of my game, as the earlier distraction had disrupted the focus and energy of both my audience and myself. The audience appeared to enjoy my show and clapped and cheered with enthusiasm. The stage producer later apologized profusely for the lion procession's unexpected distraction. This situation just points out the endless unpredictable things which can happen on a gig.
An essential thing to being a good entertainer is developing the ability to roll with the punches. If you can't , stay out of the entertainment biz.
A big plus at my gig today was to finally meet Synthzone member Lukitoh (for the first time) and TomTomSF (again). Thanks to both of you for coming to watch me perform in this 3 ring lion's den.
Lukitoh, your suggestion of adding female backup singers, or better yet, dancers
sounds great, but I guess I was a little greedy, wanting all the $ for myself. Performers are paid per act, not per person in the group, so hiring female backup singers/dancers would have taken a bite out of my pay, though I admit that I got paid more for this 1/2 hour performance than I'm typically paid for an entire evening's work. After this experience, I'm increasingly convinced that my style of one man arranger keyboard music (classic pop standards) is best suited to intimate venues which are more in proportion to a smaller audience size. I usually entertain for groups under 125 people.
Donny: Luckily, I was able to have this stage performance captured on video, as well as digital pics taken (thanks to friends in the audience). I was able to catch a quick view of the performance footage this evening and was actually surprised how well it turned out considering the problems I mentioned above. I will have it converted to Mpeg4 and post video clips and pics on my site soon (hopefully later this week). The songs I performed included: Route 66, Sway, You Can't Hurry Love, Crazy Love, On A Slow Boat To China, I Left My Heart In SF, and Grant Ave. All were played & performed live in auto accompaniment mode (utilizing custom registrations & onboard vocal harmonies). No midi backing sequences (of course). - Scott