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#94553 - 07/02/03 09:06 PM
Re: Inexpensive Monitors??
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Member
Registered: 01/25/03
Posts: 258
Loc: Eugene, OR
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Here is a question for you, and I have found a lot of people making this mistake. If you are looking for referenced speakers for recording, you need to pony up the big bucks and get a good flat response Referenced Studio Monitor Speaker. A common mistake is that these speakers sound better than cheaper speakers. A good reference speaker should be a flat response, honestly, some cheap speaker system should & could "sound better" than a referenced speaker. A Studio Monitor, generally thought of as a referenced speaker has no "color" to the speaker... This is a long winded way of saying, if you are just looking for a good speaker to listen to your instrument and aren't recording professionally, then you can get a lot of speaker/amp combo for 2 bills.
In my studio, I have several speakers set up, I have the referenced monitors while recording, and then I have everything from a single 10" speaker, to car stereo setup and then a home theater rig to do final mix down. (I know, extreme, but very helpful to hear what the final mix should be.)
This will slay all the pros with the 1k studio monitors when I tell you this, but you may want to look at some of those higher end computer speakers, some of them are very impressive with a sub and crystal clean highs, with more than acceptable mids, for under two hundred.
_________________________
Paul Davis Generalmusic Generalmusic.US
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#94557 - 07/04/03 08:36 AM
Re: Inexpensive Monitors??
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Member
Registered: 08/01/02
Posts: 2683
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Originally posted by KN_Fan: Hmmm....I'm chatting with my dad right now and he said to try Altec Lansing 621....good clarity, good power, cheap. (about 130 bux). The review I read somewhere said that while it's not a 'reference studio monitor' (d'oh!), its sound is pretty damn good that if you're just using it for 'home use' mixing- you should do just fine.
Terry- I read it somewhere you used to have this speaker?? Or anybody else??
Heck- If I get that, plus a new all-purpose/vocal mic (probably Shure SM58). I think I'll be allright.
Kn, I do have a set of the 621's with sub, that is now attached to my X box and sounds great. I originally bought them to replace my Tyros speakers, that did not work out that well for me. Here's the thing about all of this. It depends on what you are buying these monitors for. If you are looking for speakers/monitors to do your mixdowns to burn to cd, then what you want is the flatest response near field monitors you can buy. So that we understand what that means is...."flat response" means that the speakers essentially act the same towards all frequencies, it does not color the bass mids or highs. If you want something to just listen to in the studio that sounds killer, then go by what your ears tell you. If you want them for mixdown to listen on any different set of soeakers.....as flat of a response as possible, you then have to dial in your sound to get it all to sound killer, but then that is what you will hear on all systems. While there may be many monitors that sound killer when you play your mix through them, if they color the response by not being "flat response" monitors, then when you play them on any other speakers, it is going to sound a whole lot diffeerent and wrong to what you thought you were getting. In all due respect to Pauls opinion, you do not have to spend big dollars to get them either. Again I would urge you to listen to the M Audio BX 5's.....$300. What I hear out of these speakers is what I get regardless of what system I have played my cd's on, i.e., too much bass on them = too much bass in the car or home system. I have not heard the Behringer Truths but they are also supposed to be very good at this. While some may disagree with this, an effective set of studio monitors should not sound neither good nor bad, what they should do is give you as accurate as possible representation of the mix and not a colored sound that sounds killer on the monitors but like crap on everything else. I have a set of Alesis M1 actives that I was using for my mixes and everything I did with them, when I played on a different system the bass sounded way too thin. That was because the M1's colored the bass big time, so I kept cutting the bass to get it to sound right on them, but was then too thin for other speakers. They now are great speakers hooked up to my Tyros, just for playing it. Terry ------------------ jam on, Terry http://imjazzed.homestead.com/Index.html [This message has been edited by trtjazz (edited 07-04-2003).]
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