The player makes so much difference. The rough Don posted for me a while back had some jazz guitar in it, but no attempt was made to make the structure something that was actually possible on a real guitar, or to mix the sound to be like, say, a Polytone with specific effects, a Super Reverb, etc. . On the final, I used a real guitar and always do, so I have no need to try to use a keyboard to sound exactly like a jazz guitar on a recording.

If you want to see how not to do it, just take another listen to my rough. It just "ain't happening". At that stage, the focus was on structure, not sound.

What Scott found is excellent.

Russ