Thanks for the correction -ED-. You are of course right about that. The L/A synthesis synths did do a good imitation of analog using digital waveforms and filters that allowed some interesting patches to be programmed. But that just reinforces my point that it is the music that matters and not the technology used.

I remember how we composed this piece. We were just jamming together using a Roland S10 sampler with the arpeggiator turned on. It created parts that I probably wouldn't have played normally. I then worked out the parts that the arpeggiator was playing and then played them by hand on the MT32. The sections where we play the C-Eb-D figure over two octaves was all due to inspiration from the arpeggiator lines.