Personally I do not believe that being able to change settings of a keyboard while playing makes you a good musician - not that Voncken isn't, because he is great.
I have now downloaded both Deinze demos and watched them. I still believe that Baartmans is the man for music - name a style, he'll play it, and that goes for his techniques too (Louis Armstrong's "When The Saints", anybody? That's some great B3 hammond technique you're missing). Voncken does that too, and I must admit that I think very highly of him, he is great (shame he didn't get the same feedback as Baartmans in Deinze), but I find him quite rigid when it comes to chord adapting. Notice in the demos how Baartmans changes chords, even the jazzy styles that come in full harmonic progressions.
As regards to the T2, Baartmans remains the man. He uses Super Articulation technology so well you'll bet both hands (even if that leaves you incapable of playing music) that it's the real saxophone that you're hearing, it's the real guitar (Asturias...)....
Btw, regarding Voncken's musette...
I am improving the current version which I have uploaded (I have finally memorised the whole melodic progression) and am looking forward to some free time when I can record the improved version. I'll keep posting on improvements.
Also, while watching Baartmans, I suddenly got this craving sensation to play "American Patrol" by Glen Miller. Very nice, awesome I would say, as big band styles involve very rapid chord progression (both harmonic and melodic), but it will take its time to get in my mind.
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TYROS 2
Inspired by Nature
Designed by YAMAHA
[This message has been edited by jxuereb (edited 01-28-2006).]
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TYROS 2
Inspired by Nature
Designed by YAMAHA