Originally posted by Dnj:
Now this is the kind of stuff we should be talking about. Everyone benefits from it...
Between Fran & Diki they could put out great G70 info that would be so beneficial to G70 owners who are having difficulties getting started or cant seem to find in the manual etc etc ...
Fran great post.
Well, in fairness, that's EXACTLY what Roland-arranger already is... It's in English, although it has an international readership (got to love their school systems over there!), but contains the gathered wisdom and experience of three years of G70 owners (and now E-series, too). It is linked to the archive of the original G70 Owner's Club site, so looking up old back posts is easily searchable (something I encourage ANYONE with a Roland question to do before posting a question).
You got Roland questions? They already got the answer (most of the time!)... Why try to reinvent the wheel? You got the time, post at roland-arranger, and you'll usually get a prompt answer that is usually correct
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BTW, Fran... Are you SURE you aren't making that workaround up? You say you come out of the Main outs with the HB section, route it back into the IFX inputs (Audio In). Correct? But that has no separate outputs... It gets mixed back into the Main Outputs, which then goes off to the Rolls, back into the Audio Inputs, and voila! You have a feedback loop.
Trust me on this one... there is NO WAY to get the HB section separate from the Arranger without giving up ALL the effects on a Style (you can route every style, Keyboard and Song part to the Direct Outs, but you lose ALL effects doing so).
And if you are recording the HB section solo, without the arranger, you STILL can't edit the Vib/Cho. You CAN route some of the Tone organ patches this way, but firstly, there are very few without some chorus sampled in, and as any Hammond player knows, sampled vib/cho is NOTHING like a scanner vib/cho, which affect all sounding voices the same, NOT being different for each note (as sampled effects are).
But the worst thing about these is that they are velocity sensitive, a killer of Hammond authenticity...
Sorry, cassp, but despite Fran's advice, there is nothing that can do what YOU want to do in the G70.
But editing the Vib/Cho is the LEAST of your worries... As I already said, the reverb send is Pre-Leslie (no workaround for that in a mix), and the distortion is post-fader, so it is next to impossible to get it to 'growl' within a mix. There's a SLIGHT workaround for that by cranking the distortion, and turning the Balance know all the way to Accomp, but it virtually mutes all your other keyboard Parts, and acts funny if you move the HB Volume fader. But if you want that full Deep Purple snarl, within a mix (as in, when the arranger is working) it is difficult to achieve.
The G70's Hammond section is ANYTHING but perfect (and I have always said so)... But the problems are hardware related, so we will just have to see if Roland do a complete redesign for the next G-series, or just develop the hardware they already have. But even so, it is STILL a lot better than most arranger's B3's. Just not quite as good as a dedicated Hammond clone like the XK-1/3, yet.