Poor allocation of polyphony has always been my biggest gripe with the psr9000, 9000pro and also the X1 and SD1. They do not handle the allocation of important notes well at all. Assuming that you are using the best sounds, you can run out of notes very fast IF you use the sustain pedal.
The "best" piano and the "best" string sound are both big offenders in the polyphonic hog deal. If the piano sound is an 4 partial sound, and the string sound is too - then you've got 8 notes for each finger that is pressed. try a 6 note chord ... that's ummmm........(6 times 8 ...) - 48 right there. Press the sustain pedal just once, and you've asked a 64 voice instrument to produce 96 tones at once.
** Bleep-bleep ** bleep-bleep **
"DANGER, DANGER - WIll Robinson !!!!"
(ain't gonna do it !)
Somehow, the 32 voices in the older Roland and Korg units were better at this task than these new ones are. They SHOULD be last note priority, but it coughs, and hic-cups so badly that it's hard to tell just WHAT drops out first.
The bad news gets worse too:
Even the 9kpro (which is 126 notes) has the same trouble when you layer the best sounds. It seems that even though they doubled the capacity - they might have doubled the number of partials in the really good sounds too.
Frustrating isn't it?
Try using the XG voices as your layers. They are not as good as the panel voices, and might not steal as much polyphony.
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