Originally posted by kbrkr:
I too have to admit the G70 has almost everything I am looking for in a arranger. The only thing missing are the many raving customers . . .
I should go and play one and prove to myself whether it's worthy or not.
Yours are exactly my sentiments as well. The G70 has received the most "MIXED" reviews of any arr keyboard I can ever recall. On one hand, a number of respected SZ members here have auditioned (some even purchased & subsequently returned) the G70 and hated this board, yet others here have stated it to be the best arranger they ever played, and to top that off, Stephen Fortner of Keyboard Magazine gave the G70 a 'GLOWING REVIEW', concluding:
"It's a rewarding experience to make music with this powerful machine. Everything is so tightly integrated with, and linkable to, everything else that there are often many routes to the same destination, and I've only scratched the surface here. This would be a daunting if it weren't for for the work Roland's done making the interface almost take you by the hand. Has it earned rights to the title "ultimate", and lived up to it's $5K price tag? For the market they're after, I think so. This is an intermediate to advanced player's arranger, as evidenced by the fact that training wheel-like one-fingered chords and guide modes that wait for the right note are present but down-played. The Tyros has those , too, and save for B3 sounds, is sonically competitive, but the G70 takes the lead for keyboard feel, interactivity, and real time control. It's a very significant act of leapfrog in the arranger race."
Another interesting aside mentioned following this article review by Roland Product Mgr Chris Halon (formerly official Technics keyboard artist & designer of Technics Arranger keyboard styles):
"It's (the G70) intended to compete with other high end arrangers like the Yamaha Tyros and Korg PA-1X."
"We feel it it has two customer groups. The adult home hobbyist will enjoy the One Touch settings, the many classic Big Band, Latin, Country, and 50's & 60's styles, and the Music Assistant, which offers ez access registrations for 500 built in song suggestions. Plus, there's a button on the panel for everything you'd ever want to do with an arranger, and a color touch screen.
Then there's the 'one man band' weekend musician. With 12 intros and endings, a pro quality vocal harmonizer, live V-Drums, and 50 MB internal flash drive plus handling of multiple memory card formats, we think we've nailed the semi-pro's needs for fexibility, live performance features, and quick access to lots of storage."
Originally posted by kbrkr:
Tyros 2 is out of the question since it will NOT have 76 keys.
For strictly arranger auto "accompaniment mode" playing, with split point set at F#2, I find 61 keys more than adequate, playing all LH full chords, inversions (even the advanced 'rootless' jazz chords), with RH having 3-1/2 octaves of real estate to play on, which is only 1/2 octave less than the distance between middle C and the highest note on a standard 88 note piano.
On the other hand, for TRADITIONAL acoustic piano style keyboard playing, this CANNOT be accomplished on a 61 keyboard, and that even 76 notes is the barely minimal acceptable. I admit that there are often times in a performance that I'd like to throw in a solo keyboard/solo keyboard + vocal number (no auto-accompaniment) and not able to perform this on the Tyros, and longed for 76 keys on my portable keyboard. For special solo piano instances like these, I take my Roland A-33 (76 note) ultra lightweight controller and midi it to the 27 lb Tyros. All things considered, this may be a better lightweight alternative than having to haul around a single 45 lb HEAVY board of which the G70 is. In the meantime, I look forward to auditioning the G70 myself to see if its advantages outweigh 45 lbs. - Scott