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#180535 - 01/24/03 08:59 PM
Yorkville Keyboard Amps
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Senior Member
Registered: 11/24/99
Posts: 3305
Loc: Reseda, California USA
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At NAMM this year I went over to the Yorkville booth. I had been told by many of you that these are really good keyboard amps. I've been selling Roland, Peavey, Barbetta for many years and I'm always looking for good products to offer my customers. After meeting with the sales rep for California and the sales manager from Canada, they offered to send me out two keyboard amps and 3 electric acoustic guitar amps. They arrived today and I'm very happy with them. I did an A/B with the K200 vs the roland KC500 and the Yorkville was so much better. Better high frequency, much more bass and it had much more power then the roland. The Roland sounded a bit like it was breaking up at medium to high levels and the Yorkville just kept getting louder. The Yorkville has a retail price of $699.00 and the Roland has a retail price of $799.00. Also, Yorkville has a 2 year transferable warranty and Roland has a 1 year. The Yorkville also has 2 XLR mic inputs where the Roland has 1 XLR input. Both feature 15" speakers. I then compared the Yorkville K100 with a 12" speaker at a retail price of $579.00 and compared it to the Roland KC300, the Peavey KC100 and the Barbetta 22C and again I liked the Yorkville better. If the quality is as good as the sound, I'm sure I'll be selling lots of these in the future. By the way, Ketron was using all Yorkville amps at their booth at NAMM and they recommend these amps to their customers. George Kaye Kaye's Music Scene Reseda, California
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George Kaye Kaye's Music Scene (Closed after 51 years) West Hills, California (Retired 2021)
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#180546 - 02/18/03 06:01 AM
Re: Yorkville Keyboard Amps
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Senior Member
Registered: 07/09/02
Posts: 1087
Loc: Atlanta, Georgia
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Yes, the stereo expander really makes the Motion Sound amps... they'd sound like two stereo speakers turned back-to-back without it. The expander is just a phase inverter like the kind used by so-called "vocal eliminators" so it does have the side effect of reducing the volume of instruments that are in the center of the mix and enhancing the reverb overall, but I find this to be a pleasing effect that tends to act a little like compression and give a little more "blend" to the sound. The clarity is there as well as power to spare, all in a very portable cabinet that weighes 55 pounds. And yes, the sound does seem to come from all around the amplifier - the effect carries over into the room also. You can't really imagine it until you hear it.
I was using (and still have) various PA components for amplifying my keys and they all work fine too, but Motion Sound put everything I need in one compact box with several bonuses: there are stereo XLR direct outputs on the back of the KP-200s so I can simply plug my EONs in and either expand my sound field or create a surround-sound presentation, and there is a "click input" that does not get passed back out the XLR direct outputs which is perfect for taking a vocal monitor feed when playing with a band - so the KP-200s can act as both keyboard and vocal monitor. It also has a lo-z mic input with it's own controls, so at a recent corporate gig my KP-200s did double-duty as both my keyboard rig and the guest speaker's PA. It was in a mid-sized auditorium and the KP-200s was more than enough.
As long as the mind-set for stereo keyboard amplification is "use a PA" or "buy two" then there won't be much demand for innovation, which is why nearly all keyboard amps look alike right now. I wouldn't even bother owning a keyboard amp if the Motion Sound series hadn't come along. Like me, you really need to hear it to get it.
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Jim Eshleman
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