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#187523 - 11/29/04 06:14 AM
Re: Tyros and ... what else?
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Senior Member
Registered: 02/23/01
Posts: 3849
Loc: Rome - Italy
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Amelio, 1- the ideal setup would be to use the Motif 7 as a master controller and the Tyros as a slave, because this would enable you to make full use of the 76 keys (they have also a better feel, compared with the Tyros' own keys). At the same time you could also create your own performances on the Motif -in split mode- and layer them with the Tyros' internal sounds. I too have been thinking of a solution like that; my idea would be to use the Motif arpeggios together with the Tyros styles, setting the Tyros clock to "master" and the Motif to "slave". 2- Another option would be to use a different 76 notes controller, like a Fantom X7 or the Korg PA1X-pro or even the new Roland G70. But, all in all, I think that the Motif blends better with the Tyros, sound-wise (they share many sounds and also a similar effect section). I will wait a few more weeks, then I will compare all the keyboards available and make my own choice. Ciao! Andrea
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Korg Kronos 61 and PA3X-Pro76, Roland G-70, BK7-m and Integra 7, Casio PX-5S, Fender Stratocaster with Fralin pickups, Fender Stratocaster with Kinman pickups, vintage Gibson SG standard.
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#187525 - 11/29/04 06:47 AM
Re: Tyros and ... what else?
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Senior Member
Registered: 12/08/02
Posts: 15576
Loc: Forest Hill, MD USA
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I know this might sound dumb, but since you have an incredible, arranger keyboard that has fantastic recording features, why don't you just create your own custom multipads and use them during performances?
Gary
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PSR-S950, TC Helicon Harmony-M, Digitech VR, Samson Q7, Sennheiser E855, Custom Console, and lots of other silly stuff!
K+E=W (Knowledge Plus Experience = Wisdom.)
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#187529 - 11/30/04 07:50 AM
Re: Tyros and ... what else?
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Member
Registered: 02/21/01
Posts: 109
Loc: Milan, Italy
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Thank you all,
Andrea, I'm glad we both thought of the same solution, altough I'm still uncertain about the end result... but again, just try if it has not been tried before (anyone?).
Gary, I guess I have 3 main reasons for trying this solution. One is time, I have very little time to program multipads (and else) on the Tyros (though I love its simplicity). The second is ability: I find it extremely hard to create a multipad which satisfies me professionally. Third, it's control: by adding a second keyboard I get: 1. 76 keys; 2. possibility of having a II set of voices ready, during performance, while playing on the Tyros 3. Many more buttons/slides/etc to mess about with to control phrases.
Uncle Dave, definetly it was not intended for your benefit... I know a gig is a live performance. I meant, a live performance (now and then), and the choice is not affected by having to set up every night (weight, hard labour travelling with two kbs, etc) which I called "gig".
You know I have great respect and admiration for you artists who, for the love of music, are prepared to gig and make people happy with your art night after night. You understand that for those among us who don't gig, the choice for the "perfect" set up is not as limited/restricted as the of "gigging" musicians (weight issue). BTW, I'm glad you're still ready for a good friend-fight at your age... just kidding. Seriously, no offence intended.
Any more comments, friends...
_________________________
Amelio
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