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#234139 - 05/11/08 07:50 AM
Nothing like REAL Live Drums
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Senior Member
Registered: 09/21/00
Posts: 43703
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#234145 - 05/12/08 03:30 PM
Re: Nothing like REAL Live Drums
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Senior Member
Registered: 01/02/04
Posts: 7305
Loc: Lexington, Ky, USA
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Never saw Buddy live, but always wanted to. Lionel Hampton was a surprisingly good drummer....appeared on the Steve Allen show multiple times playing piano, drums and vibes, naturally.
Louis Belsom is one of my favorites. My son just bought an album recorded by the Belsom orchestra with James Brown....what a hoot! Was acquainted with Louis, his brother (Tony, I think) and Louis' wife, pearl Bailey in the early 60's in California.
It was admirable that Pearl Bailey (Belsom's wife) always had a shot of her husband in the appearance contract. In the 50's, with race relations what they were, that was a BIG DEAL.
Good for them!
Russ
[This message has been edited by captain Russ (edited 05-12-2008).]
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#234147 - 05/14/08 12:30 PM
Re: Nothing like REAL Live Drums
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Senior Member
Registered: 01/02/04
Posts: 7305
Loc: Lexington, Ky, USA
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Thanks, Donny. The host is Steve Allen, one of my heroes, and a prolific author, composer and pianist. It's from the early 60's (about late 62) live syndicated show that originated from LA. Was canceled after about 14 months. Pit band was a "who's who" of the jazz community. I was a "gofer" for about a year.
Stuff like this happened live every night. It wouldn't have mattered if the president of the US was a guest. If "Hamp" showed up (usually unannounced...just walked on the set with that big grin), things dramatically changed gears. There were twin drums, vibes and pianos. Extemporaneous, "big band" jazz happened at a second's notice. It was a nightly, "seat of the pants" jam session.
Heady stuff for a 16 year old to be involved in. At the time, the best I could do was Ventures and Dick Dale surf tunes. Ultimately, Allen was canceled because he insisted on doing bits like "meeting of the minds", an intellectual discussion of current topics with bit players (himself, Louie Nye, his wife, Jane Meadows, and others) taking the position of a famous historical person (eg. Washington, Plato, Martin Luther, etc.).
I remember seeing Johnnie Carson at the time, thinking that his show was "dumned down pablum". It wasn't. Carson just realized that the TV audience was changing from an elitist one (early TV adopters-expensive equipment) to a mass media one.
Guys like Dick Cavet (sp?) and Steve never got it and/or weren't willing to "sell out". The lesson for me is/was, these guys over-intellectualized themselves out of a job. Same thing happens to most good jazz musicians...they progress to the point where they play themselves out of a job.
Steve Allen worked on PBS after the early 60's, at a fraction of the salary of Letterman or Leno. That was his choice. He was a superior intellect, but wasn't willing to compromise his intellectual and musical commitments for success in the mass media.
Jazz players need to either be prepared to make the sacrifices required to stay true to their art, or accept the need to play other things for the compensation. The worst case is jazz musicians who blame the public for not appreciating their talent. It's not the public's fault. They don't spend every waking hour working on chord inversions...variations on a lead line, etc.
I'm so grateful for the contributions of the Belsons of the world. And, so sad that some (read most) of my music heroes had such tragic lives (drugs, poverty, lack of recognition). The exposure shaped many aspects of my life and made me commit to jazz and intellectual discourse as lifetime aspirations, but not rely on either for 100% of my living. Sadly, I wasn't willing to make the required sacrifices. And that bothers me to this day.
Russ
[This message has been edited by captain Russ (edited 05-14-2008).]
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