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#253099 - 01/21/09 02:46 PM
Re: 09 Shreveport Arranger Jam!
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Senior Member
Registered: 06/25/99
Posts: 16735
Loc: Benton, LA, USA
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I just got back from delivering DNJ to catch his flight in Dallas. Now for an hour nap and back to work as usual. I had a GREAT time. Tom, You'll love the Audya!
Dikki, I use all the basic chords and 6ths, 9ths, dim, aug, etc. I don't use any more complex, at least on purpose. Sorry I didn't understand the full nature of your question, but I'll have one soon enough and I'll try again for you. DonM
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DonM
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#253100 - 01/21/09 03:07 PM
Re: 09 Shreveport Arranger Jam!
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Registered: 04/25/05
Posts: 14282
Loc: NW Florida
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Thanks, Don. Tom..... Look, I've got reservations... It doesn't mean that the product is BAD! It just means I've got reservations. I've got those about the G70. Didn't stop me from getting one. But I feel that if we discuss the issues (and what the hell else are we here for? Hat advice from Donny? ), perhaps a manufacturer might realize they exist... and do something about it. My feeling is that 'live loop' technology comes along JUST as we are starting to get VERY good MIDI production of guitar playing. Mega Voice emulation, especially with the T3's new guitar specific NTT's, and Korg's Guitar Mode is very good. Is it as good as a loop? No. Of course not. UNTIL you want to change it. Whereupon, with the loop, you are screwed. Drum emulation is getting extraordinarily good with multi-velocity drum samples with variable room samples, and patterns played on electronic drum kits by REAL drummers, using those samples. Is it as good as a loop? No, it is not... UNTIL you want to change anything. Whereupon, with the loop, you are screwed. These are reservations... It doesn't preclude me using an Audya (bought my lottery ticket today!), but it's a worthy (IMHO) topic of discussion on an arranger players forum. You may think differently. Let's NOT discuss anything to do with this... Starting with you
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An arranger is just a tool. What matters is what you build with it..!
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#253101 - 01/21/09 04:49 PM
Re: 09 Shreveport Arranger Jam!
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Member
Registered: 10/22/03
Posts: 1155
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Originally posted by Ketron_AJ: ... whew ... after a 2hr delay in TX (due to snow in Philly), I can safely say I'm back home now. I need to hit the sheets, but wanted to check out the forums first ... see if I had any questions.
Dikki - For the AUDIO parts/Loops (even when soloed as we did today (Monday) with the UNPLUGGED Styles to show of just how the audio ALONE sounded), ALL chord parts have been taken into consideration (hence some of the delay in the release) - meaning when you play (e.g an A chord), all extentions/variations of the A chord - (dim, 9th, Maj, Min, Min7th, AUG ... etc) are recognized by the AUDIO and MIDI parts of AUDYA. Because we streem the Audio directly from the HD, memory wasn't an issue here.
I hope this answers your question (at leat this one about chord recognition). If not, please let me know (with examples) and I will respond with "Yes/No" if a chord type you list is not currently recognized.
Thanks ... going to bed now.
AJ Unless I am missing something here AJ answered the question directly. He started his answer talking about the audio part and not the midi. He also stated that the audio loops can play extentions. "when you play (e.g an A chord), all extentions/variations of the A chord - (dim, 9th, Maj, Min, Min7th, AUG ... etc) are recognized by the AUDIO and MIDI". So am I reading it wrong?
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TTG
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#253103 - 01/21/09 05:32 PM
Re: 09 Shreveport Arranger Jam!
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Registered: 04/25/05
Posts: 14282
Loc: NW Florida
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He stated what would be RECOGNIZED... not what would actually play. Look, it's simple. Each style needs three audio loops to cover the three different tempo ranges they cover. Then they need 12 different versions of each tempo range for all twelve keys (unless there is some realtime pitch transposing, which hasn't been mentioned), then they need at least the major chord types (maj, min. dim, sus4 and aug). Now that is 180 loops. But add in 7ths, maj7ths, 6ths, 6/9's, dim6ths, half dims, 7b10 (or #9's if you prefer!), sus4's, and so on and so forth, and you are talking a MASSIVE amount of loops that need to be loaded up for each style, or if they stream in realtime (hard to imagine this without at least preloading the first part of the loop), at least a MASSIVE number of different loops that need to be recorded (and this is going to effect cost and availability). And this is just for ONE variation... multiply it by four if the audio part changes between variations (one would hope this!), and you start to see the problem... If simple basic chords are all you need or expect from the guitar part, this should not be a problem. But when Yamaha and Korg manage quite complex guitar playing very realistically and yet STILL don't restrict your chord choices, at least to me it seems obvious which is the technology of the future and the present. Loops provide a great shortcut to sonic bliss on the guitar part, but it comes at a price. What that price is, I have yet to be informed. But put it this way... I certainly NEVER get a 'you REALLY don't need me to play that chord' comment from any REAL guitarist when asked to play a Min(maj7) chord.
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An arranger is just a tool. What matters is what you build with it..!
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#253106 - 01/21/09 06:43 PM
Re: 09 Shreveport Arranger Jam!
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Senior Member
Registered: 12/06/99
Posts: 2133
Loc: Muskegon, MI
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Diki,
I didn't say I couldn't hear the difference, what I said was it is barely noticable for the fleeting second or two the chord is played. Start the arranger, solo the acc part on the g70, start a style, play C,E,G,A. Now add the "D" to the chord, big difference huh? Now add back in drums, bass and the rest and tell me how big a deal it is to add the 9th.
Yes I have played that progression but as a moving progression never with a C,Eb,G,B all held down at the same time. The second Dm progression in "After The Loving" does exactly what you were saying.
Diki, we just disagree on this one and it's time to put it behind us and move on and make music.
Tom
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Thanks,
Tom
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#253108 - 01/21/09 11:08 PM
Re: 09 Shreveport Arranger Jam!
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Moderator
Registered: 03/21/01
Posts: 3602
Loc: Middletown, DE
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Dikki,
Sorry for the mis-interpretation. When I wrote 'recognized', I ment both - recognized and played - no use to an end-user if an Arranger recognizes chords but can't play them.
AUDYA will recognize AND PLAY ALL chord types meaning all variations of the following chords:- A, B, C, D, E, F, G.
This is a huge data base of AUDIO which is streemed from the Hard Drive in real time.
Hope this clears this up, and sorry for getting to you later - I've been rather occupied lately.
AJ
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