Today I finally got a chance to check out the Latin board at Manny's Music here in NYC.
What a long way the SRJV series has come. Each board gets better and better in quality. The sound source begins to sound like something that might be twice the price of the JV/XP alone. On one note, this may be of XV quality as well.
In one sentence - This board rocks! The Guitars are probably the board's strong point. There are well over 30 of them. Rather than be genre oriented though, the quality is represented as well.
As with the SRJV10, slide, harmonic and finger noises were also added to make the guitars sound as realistic as possible. Better than the XV guitar? I don't know, but just as good in my opinion. You can slide using aftertouch too. The finger noises really help a lot and there is just plain out a large variety Guitars on this board.
If you were just out to buy a Guitar/Percussion board, the Latin board would be it!
The next strong point? The brass. The brasses are probably the best on any SRJV series board - Period. The solo brasses are great, and you also have techniques like "doit" and "splat". The Brass Fall samples are more warm than what were on previous expansion boards.
What's also great is that Roland took the time to make dual samples such as the waveform "Tpt&Trb". This waveform combines trumpet and Trombone together. What does this mean? More authentic brass sections. You could have a brass section that sounds realistic using just two waveforms (Tpt/Trb, Tuba/Sax for example).
Remember, the internal brass section would combine four non-uniform sounding samples which would result in chaos. On the other hand, the internal bank PRESET E, has great brass section utilizing the internal waves. The programming here is better, although those patches need to use all 4 tones.
The XV could better utilize the samples on this expansion board in ways that us XP and JV owners cannot. They could for example take a Tpt/Trb and Tuba/Sax sample and put them all into one tone. How? Well, because the XV can map two samples to one using a Stereo schematic.
The Brass sections that use four tones sound even better, of course somewhat compromising polyphony in some way. There are also trumpet samples that have lots of vibrato after a non-vibrator attack that gives these trumpets romantic-like feels.
The vocal samples could be considered great or annoying depending on your taste. You might get annoyed by "Sabor!" or "Drlrlrlrlrlr" very quick. Also the loops could be considered a waste of ROM.
The percussion is very could. You could ask for more percussion by the way of drums (no new trap set samples). All we have are auxiliary samples like Timbales, Congas, Bongos, etc.
This could be good as an addition to the Bass & Drum board. The problem with that board is that you get all of these kick, snares and toms, but they still use the internal waves from conga, etc. Combining sets from the B&D and auxiliary percussion from the Latin board could give you a very convincing rhythm set.
There are also some strumming samples and some other stuff on this board like Pianos and Strings, but these all use the internal waves, and you can easily hear that, so I won't comment on them.
I
am disappointed that more couldn't be done with those sounds, since the Hip-Hop board breathes new life into the internal piano samples.
If I were on the Roland R&D team, I would've scrapped the Loops and Voice samples and rename this board the "Guitar, Brass and Percussion Board". The Orchestral II board (which has Brass as it's advertised feature) doesn't hold a candle to this board in terms of brass.
Anyway, I would rate this board an 9, with the Bass & Drums being a 10 and Pop being a 3.
The Infamous EPU.
[This message has been edited by epu (edited 12-14-2000).]