Originally posted by cgiles:
1. Personal opinion - watching a guy making very complex CD-like music which could not possibly be played by one individual, by triggering phrases and pushing buttons seems very "fake, plastic, and artificial" to me, especially when presented to the public as a musical performance. Others differ, but that's MY OPINION. You have yours and believe in it strongly, yet you jump all over me for having one.
Agreed! I use my E-80 as an arranger(!) at home. For fun. Or to get ideas, or to have a quick, rough, first "sketch" of a song I want to play. Some people might think it's nuts to use Roland's current TOTL as a sketchbook, but hey, that's how I use it. Besides, I have kids too and I notice how they get more enthusiastic to learn to play music if it's accompanied(!) by an arranger.
Other than you, I don't think bribing my kids with a laptop (yeah, they wish LOL) to get them to learn how to play the piano is the right way to go. They don't WANT to learn how to play the piano.
But if my arranger keyboard can at least trigger some interest in how music is made, what chords are, why a chord is named "7th", and even learning to recognize the difference between a clarinet and a hobo, then that's fine with me.
On stage however (yes I use the beast on stage) I use the great sounds in the E-80 combined with its extensive capabilities where it comes to layering, adding effects, using User Programs, thus enabling me to switch "lightning fast" between setups for each song my band plays. In that "role", my arranger is no longer an arranger. I would never want to "gig" using it as an arranger. The only times I use the arranger "in public", is when I demo the instrument for someone who wants to know what this thing is all about
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