This is the double edged sword of audio styles... (SD5 has some of those, doesn't it?)
While on the one hand, the live loop helps push the style into sonic territories that other arrangers can't always match, and Ketron's own style team is very talented at certain genres that other arrangers don't really 'get', on the other hand, it also makes user styles completely beyond the capability of even the few capable of creating a decent MIDI style from scratch, and ups the cost dramatically for those commercial style houses that make MIDI styles for a variety of arrangers.
Add to that Ketron's minuscule user base compared to say Yamaha, and you have a recipe for what has basically gone on. I have said it before, I'll say it again. Until the industry develops watertight copy protection for styles, few are going to go to the bother of developing audio styles for the Ketron (and few do it even for MIDI styles) as a real BUSINESS. If styles get traded around as soon as ONE is bought, how can the style creator make a living?
On a platform as low in numbers as Ketron's are, the problem is compounded until you see the inevitable result. The factory can't afford to give them away, they have too small a user base that the few honest users can still support the process (unlike Yamaha), and third party style makers either don't do it because of the cost/return ratio, or only make them in niche styles of little use to all but a small market where demand is high.
So, anyone coming to Ketron from say another manufacturer with better third party style support, you had better think about this VERY carefully. Take a look at how well (
) Ketron have supported the SD5 and other models with new styles, and extrapolate what their likely support of the Audya (an even LOWER volume arranger than others in their lines) will end up being, no matter WHAT they say at this point.
Bet you they hinted that there would be lots of new styles for the SD5 when IT was brand new, too...