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#283175 - 03/15/10 01:51 PM
Re: Guitar wave to midi
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Registered: 04/25/05
Posts: 14269
Loc: NW Florida
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You realize that many of the guitar patterns already IN the Yamaha arrangers were made from MIDI guitar players, playing into a sequencer?
To be honest, if you are dissatisfied with the patterns that are already in it, deriving MIDI patterns from audio guitar loops is not likely to sound any better, actually, probably worse, because Yamaha have got a LOT of performance nuances added to those patterns via their Mega Voice information (rakes, chokes, pick noises, scrapes, etc.)...
You are STILL using the same guitar sounds that Yamaha use for their styles.
Basically, you want audio loop quality guitars in a style, your only option is an Audya or MS or Wersi, that can actually DO audio files. Yamaha have got about as close as can be got, with their technology and voices. Deriving MIDI information from audio loops isn't really going to make them any better...
OTOH, if you have a Tyros, you could try using a slicer program to slice the audio loops you have, and create a MIDI file to play back the loops (if you want to go at any other tempo than the loop already is), but you'll not get chord transposition, etc.. Might work with an SMF if you play in the key of the loops or use a transposer software to shift them.
But, essentially what you want to do is simply not going to be better than what you already have, I'm afraid.
_________________________
An arranger is just a tool. What matters is what you build with it..!
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#283178 - 03/16/10 12:36 AM
Re: Guitar wave to midi
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Registered: 04/25/05
Posts: 14269
Loc: NW Florida
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I've heard what I thought was some pretty decent guitar playing in modern Yamaha styles. To be honest, I am prepared to admit that they are, short of actual audio loops, about the best that the state of the art can get them without using VSTi's.
Which Yamaha are you using?
The problem with rock guitar MIDI's is that it is ALL about the amp simulator. It's the way that chords make the amp break up, single lines sing out, power chords (no thirds) get crunchy. And about the Mega Voice information, rakes, scrapes, pick noise, etc., etc.. And lastly, and most difficultly, it is about the way that chords get played on a guitar. MIDI arrangers tend to simply transpose guitar parts, a part that you really liked from a MIDI file will NOT work well when transposed to all keys, let alone all chords. Guitars are very non-linear things. A G chord is NOTHING like a C chord. Different shape, different chord. Until you get into barré chords, no two chords get played the same way, and most guitar stuff (or at least, a whole lot of it!) is played down at the nut end of the guitar, where everything is different.
Yamaha's T3 and S910 have new NTT's to help with making their guitar parts more natural when transposed. Do you have one of these, yet?
I'm afraid what you want to do simply is beyond much of today's technology, at least if you have already auditioned Yamaha's current styles and find them lacking. Only other thing I can suggest is to try Korg's PA800/PA2Xpro, which has a dedicated Guitar Mode in it that makes a pretty good job of picking the correct voicing for different key, same type chords...
Hate to be the bearer of bad news, but I think you are asking a bit much from today's arrangers, even as good as I think they are...
_________________________
An arranger is just a tool. What matters is what you build with it..!
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