Yep... definitely getting there.

I'd also have a listen to the sort of 'space' around your voice, and the space around the track. Ideally, you want it all to 'sit' in the same sort of space. Having the drums and backing fairly dry, and then drenching the voice in a small hall makes for a musical 'disconnect'.

I'm not sure if you are recording this all directly, if you are, something you have to take into account is, when you are singing, you are hearing your dry 'head voice' as well as the track. Consequently, when you are performing, the ratio between dry voice and reverb seems (to you) to be less. But once you play it back, and no longer hear your own voice as well as the recording, that balance of voice and reverb becomes much more shifted towards the reverb.

Ideally, when performing, if you think that your voice sounds a bit 'dry', by the time it is recorded (or gets to the audience, who can't hear your head voice much) it is probably about right. If you can hear the reverb while playing, it's probably too much!

Arrangers force some strange stuff on us, as we are almost the only musicians that listen to the main mix rather than some sort of monitor mix..! Getting used to playing 'within' a mix, and getting used to hearing less effects than we would ideally want are things other musicians rarely have to deal with.