Registered: 07/21/05
Posts: 5387
Loc: English Riviera, UK
Enjoy
Bill
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English Riviera: Live entertainment, Real Ale, Great Scenery, Great Beaches, why would anyone want to live anywhere else (I�m definitely staying put).
Glad to see Michele demoing again.......right off the bat hardly any applause after the first song well cant blame them look at the age group in attendance ...where are all the young people there???? ...bad song choices IMO,..... but the T5 sounds wonderful and in the hands of a pro should do very well...
... and where are all the young people here???? Not too many if any I assume. In another post here at GenArr "old farts" are mentioned, but as long as we're young in mind, who care...
Btw, Nice demo.
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Cheers 🥂 GJ _______________________________________________ "Success is not counted by how high you have climbed but by how many you brought with you." (Wil Rose)
Registered: 07/21/05
Posts: 5387
Loc: English Riviera, UK
The T5 demo tours have started over here in Europe so keep an eye on YouTube for postings.
Here are 3 more from the UK to keep you happy.
Enjoy
Bill
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English Riviera: Live entertainment, Real Ale, Great Scenery, Great Beaches, why would anyone want to live anywhere else (I�m definitely staying put).
Nice demos but lets be honest here, .....theres nothing Ive heard "SO FAR" in these T5 that can't be done or sound like on a T4/S950 what am I missing?
Registered: 01/16/02
Posts: 14376
Loc: East Greenwich RI USA
A couple of meaningless (?) observations: 1) the crowd is MOSTLY old(er) folks ... 2)obviously the weather is cold - they all have their coats on even though inside ... 3)the crowd does not look happy ... ?!?!? 4) the KB sounds really good ...
Regarding #1, when was this demo given?... was it a week day when most younger people might be working? Surely there are SOME young people interested in Arrangers ...
Registered: 07/27/05
Posts: 10606
Loc: Cape Breton Island, Canada
The Tyros4's Brass/Trumpet patch in Fanfare For The Common Man was pretty much identical to what Keith Emerson used on his Yamaha GX-1 synthesizer, which was $60,000 in 1973 (well over $300,000 in today's dollars), and just the voice cards alone weighed more than a Polymoog (82 lbs)...total weight was over 300 kg (661 ibs) without the pedal board.
Nice to see it packed in a relatively svelte 32 lb instrument.
A couple of meaningless (?) observations: 1) the crowd is MOSTLY old(er) folks ... 2)obviously the weather is cold - they all have their coats on even though inside ... 3)the crowd does not look happy ... ?!?!? 4) the KB sounds really good ...
Regarding #1, when was this demo given?... was it a week day when most younger people might be working? Surely there are SOME young people interested in Arrangers ...
Tony these people were probably "invited guests" for the T5 Demo by the music store so you can see who they targeted for perspective buyers at that price ...
Interesting observation backed up by many here in SZ. Why doesn't Yamaha market this as a modern instrument for the young musician. All they have to do is add dance, DJ, and audio looping features and this board would be in every dance floor.
What's interesting is that the Pa3x user base seems to be younger and korg seems to focus more in that demographic.
Nice demos but lets be honest here, .....theres nothing Ive heard "SO FAR" in these T5 that can't be done or sound like on a T4/S950 what am I missing?
As a former T4 owner, I can tell you unequivocally the T5 sounds MUCH different than the T5. The drums on the audio styles played by Michel sounded awesome. And I love the sound of the "Guitar Tuning" effect. That was awesome. The ensemble on Fanfare just doesn't sound as good on the T4.
What more do you want Donny? I don't get it?
Plus, what is it with all the "Old People" references? Are we getting discriminatory now as well? Is everyone implying the T5 is for old people? (that's the demographic for almost everyone on this board!)
Almost every song Michel played was a Rock song and those new guitars really give the keyboard a nice edge?
Nice demos but lets be honest here, .....theres nothing Ive heard "SO FAR" in these T5 that can't be done or sound like on a T4/S950 what am I missing?
As a former T4 owner, I can tell you unequivocally the T5 sounds MUCH different than the T5. The drums on the audio styles played by Michel sounded awesome. And I love the sound of the "Guitar Tuning" effect. That was awesome. The ensemble on Fanfare just doesn't sound as good on the T4.
What more do you want Donny? I don't get it?
Plus, what is it with all the "Old People" references? Are we getting discriminatory now as well? Is everyone implying the T5 is for old people? (that's the demographic for almost everyone on this board!)
Almost every song Michel played was a Rock song and those new guitars really give the keyboard a nice edge?
Easily Eq'd drums , guitar to come very close with the T4/S950...Im still not that impressed to a point over the T4/S950that it BLOWS ME AWAY sorry.
Registered: 01/16/02
Posts: 14376
Loc: East Greenwich RI USA
Originally Posted By: kbrkr
Plus, what is it with all the "Old People" references? Are we getting discriminatory now as well? Is everyone implying the T5 is for old people? (that's the demographic for almost everyone on this board!)
... and I 'resemble that remark' ... but based on the audience in the demo vid, it certainly seems that Yamaha is targeting an 'older' clientele ...
Interesting observation backed up by many here in SZ. Why doesn't Yamaha market this as a modern instrument for the young musician. All they have to do is add dance, DJ, and audio looping features and this board would be in every dance floor.
What's interesting is that the Pa3x user base seems to be younger and korg seems to focus more in that demographic.
Not many young adults (20 - 30y, my age category) have to luxury to be able to spend nearly $5500 on a keyboard. That's at least my experience in the Netherlands and the reason why just adding some 'DJ functions' does not change the target audience for a Tyros.
I'm 33 years old and have owned every Tyros since I was 23. Not because I'm rich and can afford a $5500 instrument, but because it's how I make my living.
That said, who pays $5500 for a Tyros??? I paid $3350 brand new for my T4, and under $3900 for T5. Does anyone actually pay the full price???
The Tyros4's Brass/Trumpet patch in Fanfare For The Common Man was pretty much identical to what Keith Emerson used on his Yamaha GX-1 synthesizer, which was $60,000 in 1973 (well over $300,000 in today's dollars), and just the voice cards alone weighed more than a Polymoog (82 lbs)...total weight was over 300 kg (661 ibs) without the pedal board.
Nice to see it packed in a relatively svelte 32 lb instrument.
Good demos, Bill...thanks.
Ian
Ian, Keith Emerson came to mind as soon as I heard that patch too.
You can also right click the videos to get the direct link.
Enjoy
Bill
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English Riviera: Live entertainment, Real Ale, Great Scenery, Great Beaches, why would anyone want to live anywhere else (I�m definitely staying put).
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English Riviera: Live entertainment, Real Ale, Great Scenery, Great Beaches, why would anyone want to live anywhere else (I�m definitely staying put).
In another thread Ian (who has worked for Yamaha) outlined very precisely the Tyros potential buyers: people in their 60's or over, who have a rather comfortable income and who, in their younger years, had an interest in music but had to sacrifice it to the 9-17 routine, in order to make a living, rise a family, etc. Well, now they have finally risen their families, don't have to work anymore, are relatively free from the everyday worries, and can go back to their first love, neglected for so much time: music. Of course in all the years spent working they were unable to keep up their chops, but here is the trick: Yamaha gives them a plug and play instrument, that sounds great right out of the box. Just select one of the intros and one of the OTS and you will sound like a CD and all your friends and relatives will listen with an open mouth, even if you play in one finger mode. Who needs multipads that can loop, a voice creator or deep editing facilities? All they want is to sound like the musical heroes of their youth, and Yamaha here delivers big time! Ever wondered why even in the newest Tyros 5 demos there are so many voices and styles that emulate the sounds of groups like the Shadows? And why so many people use an arranger to play songs like Apache, that were originaly written for an electric guitar? Because they grew up listening to Hank Marvin, and now can finally sound like him, that's why. If you want to understand the psychology of the Yamaha people you have to go to sites like the PSR Tutorial Forum and see what kind of reasons they come up with to justify the upgrade to the Tyros 5. One of the most common is, more or less: you can't take your money with you when you are dead, so, as long as we are here, let's enjoy life and get us a new toy, if we can afford it. After all, we deserve it, don't we? Kudos to Yamaha for having targeted precisely this kind of audience and potential buyers.
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Korg Kronos 61 and PA3X-Pro76, Roland G-70, BK7-m and Integra 7, Casio PX-5S, Fender Stratocaster with Fralin pickups, Fender Stratocaster with Kinman pickups, vintage Gibson SG standard.
In another thread Ian (who has worked for Yamaha) outlined very precisely the Tyros potential buyers: people in their 60's or over, who have a rather comfortable income and who, in their younger years, had an interest in music but had to sacrifice it to the 9-17 routine, in order to make a living, rise a family, etc. Well, now they have finally risen their families, don't have to work anymore, are relatively free from the everyday worries, and can go back to their first love, neglected for so much time: music. Of course in all the years spent working they were unable to keep up their chops, but here is the trick: Yamaha gives them a plug and play instrument, that sounds great right out of the box. Just select one of the intros and one of the OTS and you will sound like a CD and all your friends and relatives will listen with an open mouth, even if you play in one finger mode. Who needs multipads that can loop, a voice creator or deep editing facilities? All they want is to sound like the musical heroes of their youth, and Yamaha here delivers big time! Ever wondered why even in the newest Tyros 5 demos there are so many voices and styles that emulate the sounds of groups like the Shadows? And why so many people use an arranger to play songs like Apache, that were originaly written for an electric guitar? Because they grew up listening to Hank Marvin, and now can finally sound like him, that's why. If you want to understand the psychology of the Yamaha people you have to go to sites like the PSR Tutorial Forum and see what kind of reasons they come up with to justify the upgrade to the Tyros 5. One of the most common is, more or less: you can't take your money with you when you are dead, so, as long as we are here, let's enjoy life and get us a new toy, if we can afford it. After all, we deserve it, don't we? Kudos to Yamaha for having targeted precisely this kind of audience and potential buyers.
100% CORRECT. However, if I'd said that, I'd be promptly accused of "looking down" on arranger players........I don't, I just accept them for who they are, the population you have described above. Except for a handful of OMB's that label themselves as 'Pro's' (getting paid to entertain 'old folks' might make you a 'pro' but not necessarily 'pro quality', especially in the eyes of the REAL 'Pro' community of well-trained, talented, musicians). From what I've heard during my 10+ years here, there are maybe 3-4 pro-level musicians here, the rest (working 'pro's) are able to make a living mostly through sheer force of personality, modest vocal skills, and very good business sense. Kudos to them, I say. Especially if they're having fun doing it. You don't need a $5000 KB to do this, however, and despite the justifications they put forth for buying a TYROS5, the REAL reason is probably just because THEY WANT ONE. 'nuff said'.
chas
Forgive the run-on sentences, I wasn't in a 'paragraph' mood today.
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"Faith means not wanting to know what is true." [Nietzsche]
Registered: 07/27/05
Posts: 10606
Loc: Cape Breton Island, Canada
Originally Posted By: Stephenm52
Originally Posted By: ianmcnll
The Tyros4's Brass/Trumpet patch in Fanfare For The Common Man was pretty much identical to what Keith Emerson used on his Yamaha GX-1 synthesizer, which was $60,000 in 1973 (well over $300,000 in today's dollars), and just the voice cards alone weighed more than a Polymoog (82 lbs)...total weight was over 300 kg (661 ibs) without the pedal board.
Nice to see it packed in a relatively svelte 32 lb instrument.
Good demos, Bill...thanks.
Ian
Ian, Keith Emerson came to mind as soon as I heard that patch too.
A great tune, Steve, here are ELP "warming up" in Montreal with Keith on that awesome GX-1. Strangely appropriate, Yamaha's Tyros5 arranger has carried on the legacy of this great early "arranger" (it had autoaccompniment & drum machine), although Keith probably only used those features at home.
Registered: 07/27/05
Posts: 10606
Loc: Cape Breton Island, Canada
Guys, when they take the "single finger, easy play auto-accompaniment" out of Tyros, PA3X-Pro76, Roland G-70, BK7-m, and Audya, PSR, and all the other arrangers, we can finally consider them "pro" arrangers, or more appropriately, arrangers designed solely for the advanced player.
But thankfully, most of us pros aren't that insecure to let a detail like that get in the way of us using these instruments to make money, do compositions, or just sit down and play for our own enjoyment(I've been liking that last one a lot lately).
Mmmmmm? Chas, has/had a Tyros2...why did he buy it? The REAL reason is probably just because HE WANTED ONE, single finger chords be damned...he knew the risks involved.
All these very clever arranger making companies laugh all the way to the bank.
whats wrong with single finger play? who cares how you play it?.....its what it sounds like that I care about. For me "PRO" = getting paid to play nothing more..
Registered: 07/21/05
Posts: 5387
Loc: English Riviera, UK
Susan Albers plays classics on Yamaha Tyros 5
Enjoy
Bill
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English Riviera: Live entertainment, Real Ale, Great Scenery, Great Beaches, why would anyone want to live anywhere else (I�m definitely staying put).