I’m reposting this from another forum thought it might be of interest

Hello All, So one song per registration bank. I do this so that I can get to my songs quick. They are prefaced with the page number in my books which I have made up for myself.
Now, the mathematics of the Tyros. According to Den.
You have 8 registration buttons and 4 OTS buttons, OK?
You have voices R1, R2 & R3.
You have a freeze button.
You select a style, Vocal waltz. Press Freeze.
Let’s start with the OTS, You can have R1 alone, R2 alone and R3 alone. On OTS button 1.
Continue, R1+R2, R1+R3 and R2+R3 then R1+R2+R3.
You now have 7 variations on just ONE OTS button.
Similar on the other 3 buttons and now you have 4 * 7 = 28 variations.
Now come down to the registration buttons, 1 to 8. The same sequence applies; 8 * 7 = 56. So for your Vocal Waltz you have a possibility of 84 variations, ensuring the freeze button is on.
So, to add excitement to the pot there are quite a few waltz styles that you can set (register) the same tempo. Put these waltz styles onto buttons 2 to 8 and you are climbing into 672 variations just for the waltz at 90 BPM! WOW!!!
Save this bank, you have done a lot of work to get this far.
Next reg bank can have the same treatment using a foxtrot style.
Up to now you have only TWO banks, one as waltzes and one as foxtrots.
My 250 Gb hard drive will accommodate a lot more banks than that.
Just to be pedantic, you can name the songs in the registration block
(Button J)
Now just to make your itchy fingers sticky, you can vary the volume of any of the voices on the fly using the sliders. Lucky they are in a position where you can see what is happening and not stuck somewhere on the side as an afterthought.
Having digested that lot then you can get stuck into the DSP and Variations; but that will take weeks of work to wander through that lot.

I don't know what anyone else does but for me I only use
1 Reg per song with 4 OTS works well for me.

Donny, Yep...1 reg per song, 1 reg bank per song. Then you can use search if needed. Works pretty well...and occasionally I use more than 1 reg per song. 4 OTS is usually all I need too.

On T4.... 4 ots x4sounds each

Hi,
I use one song , per one registration bank.
Works really well for my set up

To clarify I use 1 registration per song... Not 1 registration bank wich could be 8 or 10 on genos

For most songs, I use a single registration per song. However, there are a few songs, such as Irish Stew, where I use the same style, different variations and it ramps up and down several half-steps while performing. In this particular song, I use all 8 registrations in a bank in order to perform the song. This particular song was always popular with my line dancing crowd.

Here's my rendition recorded about 4 years ago. Irish Stew

All the best,

Gary

Gary fantastic!

That's quite a song there, Gary ... If I get to play NEXT St. Pat's, I may have to learn it ...

Thanks guys. It's a fun song, but very difficult to learn. This one took me a couple weeks before I would even dare to do it in public.



IRISH STEW T=122 (A)
(Country–Bluegrass–C)

C Am
AS I WAS GOING OVER THE FAR FAMED KERRY MOUNTAINS
F C
I MET WITH CAPTAIN FARRELL AND HIS MONEY HE WAS COUNTING.
C Am
I FIRST PRODUCED MY PISTOL, AND THEN PRODUCED MY RAPIER.
F C
SAID STAND AND DELIVER, FOR I AM A BOLD DECEIVER,

C
MUSHA RING DUMMA DO DAMMA DA
Am
WHACK FOR THE DADDY 'OL
F
WHACK FOR THE DADDY 'OL
G
THERE'S WHISKEY IN THE JAR

MUSHA RING DUMMA DO DAMMA DA
WHACK FOR THE DADDY 'OL
WHACK FOR THE DADDY 'OL
THERE'S WHISKEY IN THE JAR

(Transpose to F)
C F C
IN THE YEAR OF OUR LORD, EIGHTEEN HUNDRED AND SIX
G
WE SET SAIL FROM THE FAIR COBH OF CORK.
C F C
WE WERE BOUND FAR AWAY WITH A CARGO OF BRICKS
G G7 C
FOR THE FINE CITY HALL OF NEW YORK.

F C
SHE’S AN ELEGANT CRAFT, SHE WAS RIGGED FORE﷓AND﷓AFT
G
AND OH, HOW THE WILD WINDS DROVE HER.
C F
SHE HAD TWENTY﷓THREE MASTS AND SHE STOOD SEVERAL BLASTS
G G7 C
AND WE CALLED HER THE IRISH ROVER.

HI DIDY I DUM HI DIDY I DAY
HI DIDY I DUM HI DAY
HI DIDY I DUM HI DIDY I DAY
HI DIDY I DUM HI DAY

INSTURMENTAL

(TRANSPOSE TO D)
G C
SHE WILL WALK ALONG FITZGIBBON STREET WITH AN INDEPENDENT AIR
G C
AND THEN ITS DOWN BY SUMMERHILL, AND AS THE PEOPLE STARE
C
SHE'LL SAY, "IT'S NEARLY HALF PASSED ONE
G
TIME I WENT IN FOR ANOTHER LITTLE ONE
C G C
BUT THE HEART OF THE ROWL IS DICEY REILLY

C G C
OH POOR OLD DICEY REILLY, SHE HAS TAKEN TO THE SUP
G C
AND POOR OLD DICEY REILLY, SHE WILL NEVER GIVE IT UP
C
IT'S OFF EACH MORNING TO THE POP
G
THAT SHE GOES IN FOR ANOTHER LITTLE DROP
C G C
BUT THE HEART OF THE ROWL IS DICEY REILLY

INSTRUMENTAL (FIDDLE)
(Transpose to B)
C
OH COME DOWN THE MOUNTAIN KATIE DAILY
G
COME DOWN THE MOUNTAIN KATIE DO

OH CAN'T YOU HEAR US CALLING KATIE DAILY
G7 C
WE WANT TO DRINK YOUR IRISH MOUNTAIN DEW

OH COME DOWN THE MOUNTAIN KATIE DAILY
COME DOWN THE MOUNTAIN KATIE DO
OH CAN'T YOU HEAR US CALLING KATIE DAILY
WE WANT TO DRINK YOUR IRISH MOUNTAIN DEW

(Transpose to F)
C Am
I COUNTED OUT HIS MONEY, AND IT MADE A PRETTY PENNY.
F C
I PUT IT IN MY POCKET AND I TOOK IT HOME TO JENNY.
Am
SHE SAID AND SHE SWORE, THAT SHE NEVER WOULD DECEIVE ME,
C C
BUT THE DEVIL TAKE THE WOMEN, FOR THEY NEVER CAN BE EASY


MUSHA RING DUMMA DO DAMMA DA
WHACK FOR THE DADDY 'OL
WHACK FOR THE DADDY 'OL
THERE'S WHISKEY IN THE JAR

MUSHA RING DUMMA DO DAMMA DA
WHACK FOR THE DADDY 'OL
WHACK FOR THE DADDY 'OL
THERE'S WHISKEY IN THE JAR




Gary