Originally posted by travlin'easy:
the stage crew could have added a few items to the stage that would have made a big difference as well. Potted plants, Chinese sculptures, etc, would have made a huge difference and really added to the overall appearance.
Perhaps throwing in a few rare ming vases, a couple of 8 foot high jade statues and a huge 24 karat gold plated gong placed center stage would have helped too.
Seriously though, I don't think it would have made a difference, as this gig was an outdoor festival casual event, and not intended as a formal concert, so the stage props (or lack of) itself seemed fitting for this type of venue.
Originally posted by travlin'easy:
Looks like you need to work on the wiring harness a bit. Granted, most of the wires are tucked in behind the front drape, but it sure looks like you have a lot to hook up and lots of wires on the floor.
Actually, 7 inputs (cords) into the Tyros:
* Foot Pedal 1 (sustain)
* Foot Pedal 2 (fill to self)
* Foot Pedal 3 (Registration Advance)
* Audio Out R
* Audio Out L
* Mic In
* Power Cord
Well, to be honest, seeing cords strung about the stage floor is often more 'the norm' (rather than the exception) in many of the music performance stage venues I've performed on, especially with multiple acts/performers coming on/off stage. The orange (red?) audio (L/R) cables were supplied by the stage crew to connect to their huge house PA system. The sound engineer was positioned in a booth out in the audience to monitor & adjust the sound levels & EQ mix. I basically left it to the real pro stage, sound, and lighting crew for getting my equipment set up & on/off stage. I suppose the excess cords strewn on the floor wouldn't win the Emily Post award, but what the heck. - Scott
Originally posted by The Pro:
Hey - nice "Great Wall" backdrop! That's a keeper (assuming it was "keepable").
Yeah, 'great' wall alright, I bet they'll use it again 'next' year.
Scott